Benjamin Franklin’s oldest surviving letter is on display for the first time, thanks to a former Flyers president

In 1738, Benjamin Franklin wasn’t yet the revolutionary history remembers him to be. It had been 10 years since he had set up a printing house and nine since he began to publish the Pennsylvania Gazette, which often carried a list of his stock of imported books.

On June 2, 1738, he wrote a letter to John Ladd, a 17th century surveyor who helped fellow Quaker William Penn map out the city of Philadelphia, confirming Ladd’s book purchase. Ladd had bought The Ladies Library and the balance of a set of Cervantes, assumed to be John Ozell’s revision of Peter Motteux’s English translation.

Franklin also used the letter to advertise a “beautifully printed” five-volume set of The Odyssey.

“I send you the Ladies Library & the other two Vols. of Don Quixote,” it reads. “The Homers I have are done by Pope. The Iliads are in 6 vols. 12mo price 45/. The Odysseys 5 vols. 12mo price 37/6. They are beautifully printed and neatly bound. I will not part with them until I hear from you.”

This letter of receipt and everyday business, offering a glimpse into Franklin’s career as a prosperous Philadelphia bookseller and printer, belongs to the collection of Jay T. Snider, the former president of the Flyers and Spectacor.

For Snider, who purchased the centuries-old letter from a Los Angeles-based academic nearly a decade ago, Franklin is “an endlessly fascinating human being.”

Two hundred and eighty-eight years after it was written, that letter — along with other highlights from Snider’s extremely valuable private collection of Franklin memorabilia – will be displayed at Library Company of Philadelphia, the institution that the author of the letter founded in 1731.

“The Jay T. Snider Collection of Benjamin Franklin” also includes a first edition of Benjamin Franklin’s Experiments and Observations on Electricity, 347 of Franklin’s promissory notes for the Pennsylvania Hospital, and the mortgage register that Franklin made during his first government printing job in 1729, among others.

The 1738 letter to Ladd is one of Franklin’s earliest letters to survive, and the earliest to ever come to auction, per the auction house Sotheby’s which will be auctioning parts of Snider’s collection next month.

“It’s the earliest Franklin letter I’ve ever seen. There hasn’t been an earlier one in the market since I’ve been collecting,” said Snider, whose collection, Sotheby’s calls “the best assemblage of Frankliniana offered for sale at auction in over 120 years.”

“Franklin’s letters turn up with some regularity. But to find one from the 1730s is essentially impossible,” said Selby Kiffer, senior international specialist for books and manuscripts at Sotheby’s.

A childhood passion to an adult collection

Like many kids growing up in the late 1950s, Snider was enamored with stories of cowboys and Native Americans, a passion that carried over into adulthood.

After graduating from the Wharton School in 1979, he began to collect books about American’s Western expansion. He started with Astoria by Washington Irving, which detailed Germany-born, American businessman John Jacob Astor’s failed attempt to establish a fur trading empire in the Pacific Northwest.

He read through dense bibliographies and bought more books on the subject, eventually finding an interest in the nation’s formation.

“Philadelphia is critical to that [history],” Snider said. “Philadelphia was central to our revolution and also the history before that. And then of course, I’m from Philadelphia.”

He soon narrowed his collection’s focus to Philadelphia, and eventually Franklin, after meeting Martin P. Snyder, who was a life-long Philadelphian who collected rarities such as the first edition of William Birch’s Views of Philadelphia, and other 19th century maps, engravings, and lithography.

Snider purchased the late collector’s materials in 2004 and auctioned several artifacts from it in a 2005 Christie’s auction, but held back Franklin’s items.

“That really became the greatest passion I’ve had in this,” he said.

His collection, Snider said, has included items he purchased for $10, and others — like George Washington’s letter to Benjamin Franklin, introducing him to the French military officer, Marquis de Lafayette — that Sotheby’s sold for over $1 million earlier this year.

“And I love them both equally,” Snider said.

‘Not a checklist collection’

The Library Company exhibition will mark the first time this material will be displayed for public view in Philadelphia. It will then travel to New York for an exhibition at Sotheby’s between June 20-24 before the auction.

Kiffer said Snider’s isn’t a “checklist collection,” but traces Franklin’s story as a book and almanac publisher to his life as a civic leader and scientist, postmaster, and diplomat.

Given Franklin’s connection to Philadelphia, Kiffer said it was important to bring the exhibition to the city before the New York auction.

“Philadelphia was the only possibility,” Kiffer said. “[Franklin] is in the city’s DNA, and to have the sale and exhibition limited to New York City, Franklin and Philadelphia deserve more.”

While the ultimate goal is to attract buyers for the collection, projected to total anywhere between $3 to 4.5 million, Snider said he hopes the highlights from his collection rekindle visitors’ interest in American history, and show them a side of Franklin that isn’t widely known.

“It’s always been my feeling that too many things end up on shelves somewhere, or in drawers. Somewhere that no one ever gets to see again. I’m hoping people just enjoy connecting with Philadelphia.”

“Highlights of the The Jay T. Snider Collection of Benjamin Franklin” is on view from May 5-7 at the Library Company of Philadelphia, 1314 Locust St. sothebys.com

– The Philadelphia Inquirer

A Penn State inventor brought the world’s first double Dutch machine to Philly

At 8 years old, Tahira Reid Smith drew the one thing she wished she owned: A double Dutch machine in never-ending motion.

As an only child growing up in the Bronx, Reid Smith dreamed of enabling someone to endlessly enjoy the the high-intensity jump-roping game.

“Jumping double Dutch is like being a part of a club,” Reid Smith said. “It’s culture. It’s a part of our history. It’s part of our heritage.”

For her school’s drawing competition, the then-third grader sketched two poles with three push buttons, and a girl jumping in the middle. Her drawing won first place in the competition, but decades later, she brought the invention she dreamed of as a child to life.

Nearly 40 years after submitting her class drawing, the mechanical engineer and Pennsylvania State University professor showcased a prototype of the world’s first automated double Dutch machine in Philadelphia on Saturday.

Reid Smith traveled from State College to bring the prototype of Jump Dreams to Awbury Park for Double Dutch Day, a community event led by Philly Girls Jump.

“It was important to be here,” Reid Smith said. “I love Philly Girls Jump’s mission, and what they are doing.”

It was another class project that rekindled her interest in double Dutch. While she was studying at Rensselaer Polytechnic Institute in 1997, her late professor Burt Swersey, who served with her as co-inventor of the machine, tasked her with a design class assignment that focused on sports and recreational activities.

It was then she thought about the double Dutch machine for the first time since making the sketch. After a long development, she has a prototype.

At Double Dutch Day, hundreds of participants, ranging vastly in age and skill, met at Awbury Park’s tennis courts to jump rope, dance, and enjoy local vendors.

Others stopped by Reid Smith’s booth to try out the app-controlled double Dutch machine.

Swan Fleming said, after a friend pointed her to the machine, “Well, I have to try it out.”

Fleming, who traveled from Atlanta to attend Saturday’s event, said the ropes moved a bit slower than she was accustomed to. But within seconds, she adjusted to the synchronized arms that whipped the beaded rope in motion.

“I think it’s great because sometimes it’s hard to find a good turner,” Fleming said. “And turners really matter. I think it’s awesome that this was so invented.”

Sarina Hudson, who jumped in to experience the mechanized double Dutch for herself, said it requires added skill to get comfortable.

“[The experience] was different,” the North Philly native said. “I’m used to turners who can adjust, but you had to adjust yourself.”

Hudson said she could see the invention being inside people’s homes, including her own.

“I want to see if I can buy it,” she said.

While the machine is not for sale, Reid Smith said the goal of having participants like Hudson and Fleming try out Jump Dreams was to get feedback for future iterations of the machine that could become widely available.

Among the current design’s challenges is the use of double-handed arms, which can lead to off-rhythm turns.

Reid Smith said a new version of her evolving invention, which she first constructed in 2000, will be easier to use for jumpers of varying skill. Not just experienced double Dutch athletes.

“The next design iteration is going to work out the kinks that we learned, and all the imperfections,” Reid Smith said. “The next iteration will make it so novices can do this.”

She’s hoping to launch the new design as part of a larger marketing push under her company Jump Dreams Inc. by February 2027.

Reid Smith said the aim is to place the double Dutch machine in schools, recreational facilities, and youth development centers. But she’s not ruling out other possibilities.

For now, she’s continuing to build up her early access list, expand her professional network, and market the forthcoming product at events like Double Dutch Day.

– The Philadelphia Inquirer

How to lure the DNC into picking Philly for its convention? With Patti LaBelle, Rival Bros. coffee, and Tastykake treats

The stakes are high for Philadelphia’s bid to host the 2028 Democratic National Convention.

In a battle against other host city hopefuls like Atlanta, Denver, Chicago, and Boston, the city is pulling out all the stops, including tapping an iconic singer for its promotional push.

Last week, as reported first by Axios, Patti LaBelle made an appearance at the Democratic National Committee’s annual spring meeting in New Orleans. The “Godmother of Soul” joined Pick Pennsylvania, the city’s official host committee, to convince DNC officials that Philly is perfectly suited to take on hosting duties.

While the Philly native didn’t perform her soulful classics, she happily snapped photos and chatted with guests at the event.

Other host city finalists also sent contingents to the spring meeting, along with free merch, coffee, and treats central to the city ‘s identity. Among Philly’s offerings were Pick Philadelphia-branded hats and shirts, free cups of Rival Bros. coffee, and center pieces with Tastykake snacks.

“Everyone who had a cup of Rival Bros. coffee and a Tastykake loved it,” Aren Platt, a senior adviser for the city host committee, wrote in an email to The Inquirer.

It’s too early to claim victory, though. There are still several steps before DNC chair Ken Martin and other committee leaders decide which city gets to call itself the host.

“We have a lot more we’re looking forward to sharing and showcasing as the bid process moves forward,” said Platt.

After the city submitted a confidential proposal last month, which included details about the city’s hotels and the voltage capacity of Xfinity Mobile Arena, the DNC is preparing to conduct a site visit from April 29 to May 1 as part of the selection process.

If the city is selected, the convention would take place Aug. 7-10, 2028, at Xfinity Mobile Arena.

Philadelphia isn’t new to being at the epicenter of political celebration, discourse, or debate.

In 1948, the city hosted three major political conventions in a matter of five weeks: the DNC, the Republican National Convention, and the convention for the Progressive Party, a then-popular upstart group led by former U.S. Vice President Henry A. Wallace.

It would be more than 50 years until the next political convention rolled into Philadelphia.

The Republican National Convention in 2000 marked Philadelphia’s return as a political convention hub. The city went on to host the DNC again in 2016.

While it’s been a decade since Philly last hosted a major political convention, the region has maintained a political presence for decades.

Philly and its suburbs were among the most visited regions for Donald Trump and Kamala Harris during the 2024 presidential race. The two debated at the National Constitution Center in September 2024, then dropped into locations in and around Philadelphia.

With LaBelle — and local treasures like Rival Bros. coffee and Tastykake snacks — already impressing Democratic Party members, what more does Philly need to do to inch closer to landing the deal?

Platt said the next step is to show the Martin-led DNC everything the city has to offer, from Xfinity Mobile Arena’s technical capacities to the dining, nightlife, and other cultural experiences that make Philly special.

The story has been updated to reflect that Patti LaBelle’s appearance in New Orleans was first reported by Axios.

– The Philadelphia Inquirer

Years before her Emmy-winning TV career, Quinta Brunson was inspired by a FOX 29 meteorologist

If West Philly native Quinta Brunson never became an Emmy-winning actor, writer, and TV producer, chances are she would still be a recognizable name and a much beloved face on the small screen.

During Tuesday’s appearance on Live with Kelly and Mark, the creator and star of Abbott Elementary said her childhood dream was to follow the footsteps of longtime Fox 29 meteorologist Sue Serio.

“I did see myself becoming someone on screen. I wanted to become a weather person. There was a weather person in Philadelphia I loved, named Sue Serio. I thought she was the bee’s knees,” Brunson said.

South Jersey’s own Kelly Ripa, cohost of the long-running ABC talk show and Camden County native, instantly recognized Serio.

“You know she’s like a legend,” Brunson said, “and I wanted to be her.”

Since joining the Fox 29 News team as a weather anchor in 1997, Serio has been a fixture on Philadelphia TV screens. For decades, she has endured blizzards, thunderstorms, and the wild winds at the Jersey Shore to deliver weather reports.

Inside the studio, Serio has shared the green screen with famous actors to local children, supporting various nonprofits and going on to inspire a young Brunson.

“Imagine my surprise when I found out that the amazing Quinta Brunson — that’s right, the creator and star of [Abbott Elementary] shouted my out this morning on [Live with Kelly and Mark] !!!!! Thank you for the kind words [Quinta Brunson]. I would love to meet you next time you’re in Philly," Serio wrote in an Instagram post Tuesday.

Recognizing Brunson’s dream to be a “weather person,” Ripa and her husband and cohost Mark Consuelos directed the show’s producers to pull down a weather map for Brunson to flex her meteorology muscles.

Brunson then walked over to the digital screen, and leaned into her extraordinary sketch and improv skills. Within seconds, she transformed into a veteran meteorologist — broadcast voice, transitional phrases, and all.

“So, today in New York you might want to grab a jacket at 9 a.m. It’s going to be a little bit chilly. But don’t worry, at 3 p.m. it’s getting all the way up to 52,” she said, “But don’t get too excited though because at 7 p.m. it’s going to drop to 48. And you know what that means — You’re going to want to put that jacket back on.”

“At 9 p.m., you should be in, watching the playoffs so you don’t have to worry about it being cold. That’s the weather,” Brunson said at the end of her bit.

Along with displaying her weather anchor chops, Brunson also hinted at the season finale episode of Abbott Elementary‘s fifth season that airs on Wednesday night. The school’s teachers end up going on a trip to Florida, where they are informed that a new superintendent plans to shut down the school.

As for season six, Brunson said she hoped to shoot at Philly institutions that are particularly important to her. Her hope is to film inside Independence Hall or City Hall, but she said the chances may be slim.

“I feel like legally we shouldn’t be allowed to shoot there,” she said.

No harm in trying, we say. And there’s always the Fox 29 green screen if that doesn’t work out.

– The Philadelphia Inquirer

Tired of X, rapper Meek Mill now has a LinkedIn account. We tried to find out why.

We’re not the only ones updating our LinkedIn profiles, scrolling through workaversary posts, and flying through “easy-apply” applications.

Last week, Grammy-nominated artist Meek Mill joined LinkedIn, and has already shaken up things on the world’s largest professional networking platform.

The “Dreams and Nightmares” rapper and North Philly native said he’s done with the saturation of AI bots, deepfake slop, and “gossip people” on X.

“We basically in a deep matrix trapped between Instagram, x …, TikTok, snap, etc. we have millions of fans, we can’t even get real data on them, that’s where the bots live, free to control narrative,” Meek tweeted.

So, he decided to join … LinkedIn?

That’s a surprise and perhaps bit of a disappointment for anyone who has followed his unhinged and unintentionally hilarious tweets, including his memorable rap beefs with the likes of Cassidy, Wale, and Drake. But the Dream Chaser Records CEO said he’s ready to showcase his “true potential.”

And he thinks LinkedIn is the perfect platform to do that.

“For too long, others have spoken on my behalf, but now I am taking the reins and speaking for myself, supported by a strong team,” Meek wrote in his first LinkedIn post, last week. “I will be posting more content and business ideas to demonstrate the strength of the brand and my process.”

In his bio, the rapper wrote he’s “looking to build out and make business connections that’s aligned with meek mill, dream chasers & bikelife brand.” He added that he’s looking to connect with criminal justice reform advocates, and that he’s “nice at creating tech ideas.”

From the looks of it, those connections are already happening.

Since joining the platform, the rapper, born Robert Rihmeek Williams, has made posts looking to explore business partnerships and collaborations with music labels, AI programmers, and video game developers.

Meek’s recent foray into LinkedIn, and his calls for business collabs and partnerships, comes months after he announced his musical independence and broke away from recording labels.

In a June 2025 appearance on Philly-based content creator Raud‘s stream, Meek talked about only receiving 13% of his earnings for the first 13 years of his career. Now, as an independent artist, he said he’s getting 100% but keeping an open mind about future partnerships.

“I’m about to do something else, something they’ve never seen before. I’ll talk about it when we do it,” he said during the stream.

Maybe that explains the LinkedIn pivot.

He is the cofounder of the nonprofit Reform Alliance, which launched in January 2019. Through it, Meek has advocated for legislation and policy changes around parole and probation laws. The inspiration, as he explained in a LinkedIn post, was the wrongful conviction of a childhood friend who, according to Meek, was sentenced to 20-40 years for a crime he never committed, and was released only three years ago.

Meek also expressed an interest in making a documentary, building a clothing brand, and establishing his own beverage company.

LinkedIn users have commented on his posts.

“Very inspiring Mr Mill, I have followed your career rather closely and look forward to seeing your impact on the platform. I strongly believe you can certainly make a difference in the community and strengthen the culture,” one LinkedIn user wrote.

“I’ll automate your whole business for you Meek give me a dm,” another user commented.

He has replied with a “let’s work” to several of these comments, but clarified on Monday, “Please ensure you have a proven track record.”

Seemingly, Mill’s not the only artist to have made the jump to LinkedIn. Last week, a profile claiming to be Claire Boucher, the birth name of Canadian singer-songwriter Grimes, also appeared on the platform.

Even on the new platform, Meek hasn’t abandoned his old social media ways of bringing folks to task.

In a Sunday post, he called out an unnamed group in Albany, N.Y. who he claims has mounted “a noticeable smear campaign against my name.” But, he insisted, he wants to “focus on the positive. I am eager to collaborate with tech and marketing companies to elevate my brand to new heights.”

As Meek gets used to the lay of the land on LinkedIn, he hasn’t forgotten his X account.

On Saturday, he wrote a post on X describing the connections he’s made on LinkedIn before issuing a caveat: “... I don’t want the gossip people to follow me to LinkedIn just business...”

Meek’s plans include everything from a documentary chronicling the DVD era, to implementing AI courses in public schools and underserved communities, to finding a “long term meek mill supporter” who’s invested in a future tech startup.

He even added a music collaboration with J. Cole to his wish-list.

“I need j Cole on my project wassup bro let’s get it in the studio!!!!!,” he wrote.

Meek said he’s been using AI platforms like Claude to organize his music and business verticals, all thanks to “some tech youngbull” he met on LinkedIn who gave him a template to use.

“It’s moving my business forward at a high rate!” he explained on X.

Beyond his calls for partnership, Meek also hinted at a possible project this summer. And that nothing, not even “algorithms,” are going to “stop the soul” in his music from reaching his listeners, he said.

– The Philadelphia Inquirer

Two East Germantown neighbors had a falling out so dramatic that two reality TV shows had to tell their story

It’s not uncommon in Philadelphia to have a neighbor who is a cat lover. Some even feed stray cats and turn their homes into a refuge for feral kittens. It can be cute, until those scrappy felines get into the neighbor’s lawn, forcing the resident to mow an urine-infested yard and breathe in dust from piles of years-old feces.

That’s exactly what happened between East Germantown resident Marice Johnson and the neighborhood’s resident cat lady Jean Galliano, in July 2024.

An incident that is now the basis for a lawsuit, a Judy Justice episode, and an episode of the HBO reality show Neighbors.

It was the last straw for Johnson. He asked Galliano to keep all nine of her undomesticated cats from crossing over property lines and defecating on his family’s lawn.

“My daughter is 4 going on 5. She’s never been able to enjoy her front yard,” Johnson says on the HBO show.

Galliano refused, Johnson stopped the lawnmower, and walked over to one of her make-shift cat shelters and beat it into a pile of scraps.

“I don’t know what he’s going to do next,” Galliano says in Neighbors. “He’s very unpredictable. If my husband wasn’t dead, he’d go over there and kick his a—.”

She sought retribution by taking their neighborly dispute to a small claims court last fall. Then she dropped those charges before seeking justice from another courtroom; this one helmed by famed justice Judith Sheindlin, better known as Judge Judy on TV.

The dispute makes up the second episode of HBO’s new reality TV series. Created by Dylan Redford and Harrison Fishman, the show explores intense and wildly-bizarre disputes among neighbors across the country.

Titled “The Farm,” the episode also follows a rift between a retiree named Darrell and his neighbor Trever, who starts raising livestock on his grandmother’s property, much to the dismay of his neighbors in a small suburban community in Kokomo, Ind.

Redford (who is Robert Redford’s grandson) and Fishman, who have previously worked on 2021’s The Big Parade, share an obsession with online neighbor fight videos. When they received a chance call from a company seeking TV show ideas, the two directors thought centering real neighbor-to-neighbor clashes would make for great television.

For months, casting director Harleigh Shaw and story producer (and Redford’s sister) Lena Redford sifted through small claims court filings across the country and searched for people who would agree to air their neighborly linen on camera.

“This was a story with a lot of layers and really interesting people, and we thought we should really look into this,” Dylan Redford said of Galliano and Johnson’s case.

Fishman, a Philly native, said the two neighbors are representative of his hometown in two very different ways.

“[Galliano] really embodies what I love about Philly. She’s just shamelessly herself, and so excited to tell us about it. And [Johnson] is so funny, and his family was so fun to hang out with.”

They started filming with the neighbors last fall.

Their dispute, the crew found out, started shortly after Johnson and his wife Amala moved into their Northwest Philly rowhome nearly six years ago. But with the birth of their daughter, Johnson said his and Galliano’s quarrels intensified.

“I said ‘Ma’am, we just moved here and have a newborn’,” Johnson says on the show. “I just don’t want the cats on my property at all.” From Galliano’s point of view, Johnson was a disgruntled, cat-hating neighbor whose “berserk” behavior led to the civil case filing.

She recorded a video of Johnson slamming and kicking the cat shelter she had built for one of her cats, named Butter. She claimed it resulted in nearly $2,826.90 worth of damages. Galliano also tried to file criminal charges against Johnson, but “they wouldn’t let me do it,” she said on the show.

But she soon found a way to litigate the dispute when she and Johnson received an unexpected invite to Judy Justice last fall. Turns out, Judy Justice producers were also, coincidentally, sifting through the same court claims and Johnson and Galliano’s fight stood out.

The two neighbors flew out to Los Angeles soon after.

Confident that she would earn the favor of Judge Judy, Galliano said she will go from nine to 500 strays once she secures a legal victory.

“[Judy] is an animal activist,” Galliano says in the show, before getting to LA. “She’s going to help me.”

Redford and Fishman were barred from filming on the Culver Studios set, but the Jan. 18 episode of Judy Justice, titled “Catty Neighbors Caught on Tape,” shows Galliano suffering a crushing loss.

In her classically stern and blunt tone, Judge Judy said Galliano’s reckless care for un-collared and unvaccinated cats had become a “community problem,” one directly impacting Johnson’s livelihood. She urged a noticeably combative Galliano to sell the home she’s turned into a “crack hole,” and purchase land where her cats can roam free without interference.

Until then, the reality TV judge said, “be a better animal caretaker.”

“Judge Judy ate her for f–ing lunch. It was so bad," Galliano’s friend Nina Medley, who tagged along for the hearing, says on the show.

Judge Judy’s judgment awarded Johnson $2,000, and Galliano a total of $0.50.

The Neighbors episode shows Johnson and his wife celebrating outside the court room, while Galliano silently drives out of the studio lot.

Redford and Fishman made sure to show the lives of Johnson and Galliano outside of the dispute.

Growing up in Philadelphia, Johnson said he was kicked out of middle and high school. He, along with his three brothers, faced incarceration in his youth. In the years since, he has transformed into a dedicated family man and the owner of a clothing line. During the episode, he pulled out a rack of his custom designs; shirts with the words “God Bless Whoever Hating On Me.” He also spoke about how meaningful it was for him to buy his three bedroom house; he wanted to give his family the kind of life he and his siblings never experienced.

Galliano, on the other hand, lives a very different lifestyle.

When she’s not praising a Jesus Christ hologram, or absorbing “life-enhancing energy” from a nearby Quantum Healing Room, the screenwriter attempts (and often fails) to collaborate on films with the likes of Mel Gibson and producer Paul Michael Ruffman.

“If our show was just doing funny gag stuff, it would be no different than any other prank show or TikTok video,” Redford said. “Part of what defines our show against all that is that we provide the kind of emotional context that makes people understand why someone cares about their home or neighborhood so much.”

Now back from the West Coast, Johnson and his daughter are able to play in their front yard, for the first time in six years. As is evident from the episode, there is now a pergola and fence around Johnson’s yard that keep Galliano’s cats out.

“As weird as it may sound, blessings are coming out of something that felt like a curse at one time,” Johnson says in the show.

Galliano, standing just outside the fence’s barriers in the episode, says Judge Judy’s ruling won’t stop her from feeding cats or from getting them into her house.

“Wood fences can’t keep cats out. Cats climb wood,” she says with absolute certainty.

Fishman, who recently spoke to Galliano, said she now feeds cats less frequently, and that her colony of strays has dwindled in size.

“It sounds like the [dispute] has completely died down from [Galliano’s] perspective,” said Fishman, who is hopeful that the show shines a brighter light on Galliano’s screenwriting career and Johnson’s clothing brand.

As for season two of Neighbors, which was renewed last month, he wants to include more stories of Philly neighbors, who, like Galliano and Johnson, will embody the “berserk” qualities that make his hometown folks so unique.

– The Philadelphia Inquirer

Justin Nagtalon aka El Toro, a beloved sticker artist and muralist, has died at 43

If you walk around Philly, there’s a high chance you’ve been smiled at by a Filipino water buffalo drawn on an USPS sticker label; be it in the back room of the South Street bar Tattooed Mom, on a newsstand on 15th and Walnut Streets, or stuck on street signs, buildings, cement barricades, and lamp posts around the city.

The buffalo and its creator are named El Toro, the pseudonym used by sticker artist Justin Nagtalon, who passed away at the age of 43 on March 7. The cause, confirmed by the family, was a heart attack.

Through a career that spanned more than 20 years, Nagtalon left a trail of multi-colored stickers across Philadelphia. With street artist Bob Will Reign, Nagtalon’s iterations of the two-legged buffalo brought the New York City and Western European culture of sticker art to Philly’s street corners.

In 2021, he shed his pseudonym and went from drawing on postage labels to turning the walls of restaurants like Baby’s Kusina + Market, Manong, and Tabachoy into his canvas. He also created the logo for WHYY’s Art Outside podcast series, and was commissioned to create an official game day poster for the Philadelphia Eagles in 2025.

His art inspired a generation of street artists to create sticker art and slap them onto surfaces all over Philly, “My heart hurts,” Nagtalon’s mother Jennifer wrote to The Inquirer in a text message. “[He was] such a loving husband ... a loving brother to his big sister and to his younger brother. A fun uncle to his nephews and nieces. Most of all, a very sweet and loving son to me.”

The joyous buffalo he created two decades ago was reflective of the artist himself, a man who is remembered for his radiant smile, vast imagination, and playful personality.

As a child growing up in in Quezon City, Philippines, Nagtalon spent days scribbling in his black moleskin notebook. By the time he was 7, he filled pages with hand-drawn images, using markers he stole from his older sister, Jamille Nagtalon-Ramos.

“Whenever I would attend one of his shows, I used to joke with him and say, ‘OK, you did good. I’m not mad at you for stealing my markers anymore,’” said Nagtalon-Ramos.

When Nagtalon was 10, he, with the rest of his family, moved from the Philippines to join their mother in Paterson, N.J., where she was recruited to fulfill a nurse shortage. Nagtalon’s father worked for the Bureau of Fisheries.

While the move was a significant cultural shift, Nagtalon found comfort in watching 1980s cartoons such as He-Man and the Masters of the Universe, ThunderCats, and The Simpsons, and reading comic strips like Calvin and Hobbes.

Those early interests inspired the friendly alter ego, El Toro, later in Nagtalon’s life.

“All of my core interests are because of my brother,” Jethro David “JD” Nagtalon, Justin Nagtalon’s brother, said. “He’s the one that influenced me with cartoons, anime, and certain art that I like. He got me into skateboarding, too. We both skateboarded, badly. But we skateboarded badly together.”

While his sister followed his mother’s career footsteps, Nagtalon opted for a career in the arts. In 2001, he enrolled at the former Art Institute of Philadelphia to study graphic designing.

In a 2020 interview with Streets Dept, Nagtalon said he developed an interest in graffiti while growing up in New Jersey. He started writing graffiti in college, but soon focused his attention on sticker art after discovering the fast-rising European scene in the early days of the Internet.

“He found his medium. He just wanted to spread love and happiness and positivity through the world,” JD Nagtalon said.

Before landing on El Toro, which was inspired by Carabao, a swamp-type water buffalo native to the Philippines, Nagtalon told Streets Dept that his stickers featured “weirder characters.” He even considered adopting a “poop monster” before settling on the cartoon water buffalo.

“Every time I saw one, I felt like I was a kid again,” said Conrad Benner, the founder and editor of the art blog Streets Dept and a friend to Nagtalon.

‘You were naturally happy to be around him’

By the time they met at the Art Institute, long-time friend Andrew Witter said Nagtalon’s artistic ambitions were in full bloom.

Witter recalled the two of them listening to MF Doom and playing Need for Speed: Underground on the Playstation 2. As early as 2003, Witter recalled, Nagtalon was putting up stickers throughout the city, Witter said.

“It was the path he wanted to take, and he never stopped,” he said.

Witter and fellow sticker artist Dana Williams watched as El Toro went from being one of Nagtalon’s many doodles, to a recognizable symbol of a burgeoning street art movement in Philadelphia. .

Williams called Nagtalon the “bigger visionary.”

“He saw the forest for the trees, as they say,” he said.

With frequent collaborator Bob Will Reign, Nagtalon forged connections with local gallerists, and soon drew the attention of early art sites such as Robots Will Kill (RWK).

ChrisRWK, who launched the site to spotlight underground artists, said Nagtalon and Bob “revolutionized the sticker scene” in Philadelphia.

Nagtalon worked anonymously for most of his arts career and collaborated with early sticker artists like Ticky 33, Underwater Pirates, and Noségo. He also played a significant role in transforming Tattooed Mom into an epicenter for street art. Not only by contributing his own work, but by connecting owner Robert Perry to other artists.

Nagtalon, ChrisRWK said, “was always smiling, and he had a positive feeling or attitude to any situation. You were naturally happy to be around him.”

‘I’m no longer afraid of who I am’

Nagtalon met his wife Amanda Benson outside of Good Dog Bar in 2007. Benson said he flashed an “adorable smile,” which made her walk toward him.

And “that’s when [Nagtalon] said he panicked,” she joked.

The two bonded over their love for vinyl toys, pop-surrealist artwork, and First Friday events in Old City. A year before they met, Benson had attended an art show that featured the work of El Toro. On their first date, she noticed his tattoo and asked if he was the man behind El Toro. He said yes with no hesitation.

Five years later, in 2012, they were married at the Valley Green Inn along the Wissahickon Creek. The couple then took a cross-country roadtrip and moved to Los Angeles.

There, Benson said, Nagtalon drew El Toro nearly every day.

Benson and Nagtalon moved back to Philly in February 2021 to be closer to friends and family.

Upon his return, Nagtalon decided to shed his anonymity and reveal his true identity.

He initially hesitated, fearing his “illegal” graffiti practices would result in an arrest, but he wanted a more formidable presence in the city’s street art scene. He also wanted his nieces and nephews to be proud of the legacy he had carved out.

“I’m no longer afraid of who I am. And I think that’s it’s such a big leap to connect, and also to understand my art more,” Nagtalon said in a 2023 interview on WHYY’s Art Outside. “I think bridging that gap before wasn’t important. But now it is. And I think I have a lot more things to say because of it.”

While they didn’t have children of their own, Benson said her late husband loved kids, and spoiled his nieces and nephews.

Nagtalon’s nephew Leo Ramos, 21, said he and his sister Leilani looked forward to playing video games, riding bikes, and baking cookies with their Uncle Justin on all the holidays.

“You didn’t really think about those moments that we had growing up in the moment,” said Leilani, 19. “And then when you realize that person is gone, those memories suddenly flood back into your mind. And for me, they were all very sweet and vivid memories.”

It was Leo who rushed to his uncle’s home in Philadelphia on March 7, after receiving an emergency call from his mother. Nagtalon was taken to a nearby hospital, where he was pronounced dead from a heart attack.

Nagtalon-Ramos said her brother’s death, and the call she made to her son Leo, were eerily similar to the one she received from Nagtalon when their father died at age 44, also from a heart attack.

“I’m really going to miss his youthfulness,” Nagtalon-Ramos said. “I’m going to miss his interactions with my children. I’m going to miss that playful side of him. And I’ll really miss how he interacted with the world.”

JD said he’s going to miss their hilarious phone calls, shared Instagram posts, and the time they spent with one another.

“He was the happiest and most living person I ever met,” he said.

With Nagtalon’s passing, Bob Will Reign said he had lost his “partner in crime.”

He plans to continue posting stickers across Philly’s street corners as a way to carry on his friend’s legacy, both as El Toro and the kind-hearted soul he first met more than 20 years ago.

Dozens of Philadelphia street artists took to social media to post Nagtalon’s stickers, past El Toro collabs, and their photos with the beloved sticker artist. Others have made their own renditions of Nagtalon’s iconic character to honor him and his work.

“It’s been incredible to see the outpouring of grief, but also the support that’s been in his direction,” Benson said. “I just want to thank the people who have reached out. I’m so grateful for it.”

El Toro sightings on her walks, Benson said, will always remind her of the “joyful, playful, and hilarious” man she fell in love with nearly 20 years ago.

No public memorial is planned at this time. A Meal Train to support Benson was started by Nagtalon’s friends.

– The Philadelphia Inquirer

‘Chappelle’s Show’ alum Donnell Rawlings is all right with being called mild

This year has been one of the most triumphant for comedian and Chappelle’s Show alum Donnell Rawlings.

Back in February, 30 years into his career, the D.C. comedian delivered his first comedy special, Chappelle’s Home Team - Donnell Rawlings: A New Day, in collaboration with friend Dave Chappelle.

“I think every time I did [the routine] I was the funniest I could be in the moment,” Rawlings said. “But [Chappelle] being so critical and understanding, this was a big deal. He thought a little deeper than I did.”

Chappelle, whose own Netflix show has been criticized for jokes perceived to be transphobic, scrapped the show’s initial version, claiming it was too outdated for a post-COVID release. The second attempt was marred by production issues. But after shooting the final iteration in November 2023, Rawlings said it was worth the wait.

But not everyone was pleased. Fellow comic Corey Holcomb called A New Day “mild” on his podcast, 5150.

Inspired by the discourse, Rawlings named his new comedy tour “Black and Mild.”

“People try to use the word ‘mild’ as an insult. But I’m over 50 years old, I don’t even like hot sauce. I get heartburn,” Rawlings joked. “There’s nothing wrong with walking the line, but not pushing it. That’s where my comedy is.”

Before the comedian takes the stage at Helium Comedy Club this weekend, we talked to Rawlings about hot sauce, his famous phrase “I’m rich b—” , and the makings of a successful comedian in the social media age.

The interview has been lightly edited for length and clarity.

You’re a bigger star than you’ve ever been before. How’s life been for you lately?

It’s good and it’s going to continue. The only thing that we can do is try to evolve, especially as a standup and artist. We have to be the best we can and give the people what they want. And I don’t think I’ll ever hit the max. I’m always going to try to go to the next level.

How has life in Springfield, Ohio, been?

It’s just like my special, A New Day. Like the Nina Simone song “Feeling Good,” I came out to in the special. As long as you can get up, you have the opportunity to be a better person. I have been doing it for 30 years, and it just feels like I’m constantly evolving and testing myself to be good.

It seems like you’ve been on a constant path of growth. Have you taken notes from Dave Chappelle and Chris Rock on the process?

The notes that I’ve taken from Chris Rock and Dave Chappelle are that anything is possible. And if you work hard enough, you can be in a situation where you can say, “I’m rich, b—!” and fill arenas.

That phrase, “I’m rich, b—!” has to be one of the most recognizable quotes from ‘Chappelle’s Show.’

There’s been some good and some bad. The good is people recognize my voice from that phrase, but the bad is when I go with my friends to dinner, they don’t even open their wallets. They look at me like, “I thought you were rich, b—.”

How was it to have your first special, especially with Dave Chappelle attached to it?

If it happened 20 years ago with me not having a name and trying to introduce myself to the world as a good standup, it would have been like a calling card. But [this time] it felt more like a reward for the people who felt like I deserved [a special]. One of those people is [Chappelle]. Of course, I’ll reap the benefits of the special, but I felt it was more for my fans and my people.

You filmed the special three times. What was missing in the first two?

I don’t think anything was missing. I think every time I did it I was the funniest I could be in the moment. But [Chappelle] being so critical, and understanding this was a big deal, he thought a little deeper than I did. The first time I did it I knew it was funny, but [Chapelle] told me, “Donnell, you’re one of the funniest guys I know. You’d rip any room, but it doesn’t make it a great special.” The second time we did it, I took his notes. But then we had issues with the production of it. But there was never a high level of frustration. I knew as long as I stayed in the game, I had an opportunity. A lot of times people don’t get multiple opportunities to do that, but [Chappelle] believed in me enough and the product I could produce. And we got it together. I have no regrets.

Have you and Corey Holcomb patched things up since your brief feud?

The last time I was in L.A., I went to this club and [Holcomb] was there. The first thing I asked him was how I could be on his podcast. He said, “Yo D, why do you have something against me?” I said, “Bro, you can’t say that. I have always shown you love.” My only issue was why he felt the need to put down some of the people who are moving the culture of comedy. He agreed with me, so I’m going to do his show.

What do you think about the current state of comedy? There is a lot of tension among comedians today.

It’s unfortunate because a lot of this discourse is in the Black community. For some reason, the Black comedy community thinks [only] one comic can make it at a time. And a lot of times they don’t support each other. There’s room for everybody. There are different styles and genres of comedy.

One of the hottest things now is social media influencers transitioning to stand-up. They have the platform because people want to see them. Then you have [their] crowd work, which I’m not a huge fan of. It’s a muscle in itself, but it was shunned back when I was coming up because it usually meant a comic didn’t have an act. But I don’t knock it.

How can Black comedians rally together versus going against each other?

We can try to save the world and save the hood all we want, [but] you’re not going to do it. Take care of yourself and take care of your family. There’s nothing you can do to change the mentality. It’s always going to be there. All you can do is not let it affect you and to do what you feel is right for you.

How has stand-up changed since you started?

A lot of people my age think, “These young guns coming up don’t respect the art.” But when I started, if you wanted to be rich or famous off of this, you had to be good. That was the only way you could get noticed. But nowadays, these kids are making hundreds of thousands of dollars a month, and have no incentive to be good. You can’t tell them to work on that joke. They are like, “I heard what you said. But I just made one click and made $10,000.” But if you’re a real comic, you can protect the craft by being good and evolving.

In some way, could that also help draw more eyes to the comedy world?

It all depends. One of the comedians that I came up with hated shows when a YouTube guy would come on behind him. He wouldn’t go to these shows. But I told him, “Get your money, go to the show, and teach him a lesson.” Things change.

What’s it like doing comedy in Philly?

It’s a little rougher. This is a tough city. And one thing about a tough city is they give you a hard time. But when they love you, they love you. I give them every reason to love me. I have always performed well in Philly. Philly has always been a great audience for me. I’m a tough comic who’s built for a tough city.

– The Philadelphia Inquirer