A new Christopher Reeve documentary uncovers the actor’s real superpower

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Princeton, N.J.-raised actor Christopher Reeve was best known for playing Superman. But his superpower was his fight for advancements in spinal cord injury research and better quality of life for those with paralysis.

It was a cause deeply personal to Reeve, who was paralyzed from the neck down after a near-fatal horse-riding accident in 1995. At 42, he was restricted to a wheelchair and forced to breathe through a ventilator.

At the Kessler Institute for Rehabilitation in Marlton, N.J., Reeve learned to embrace the challenges his new life presented and established a foundation with his wife Dana to improve the lives of others facing the same obstacles.

He remained resolute in his mission until his death in 2004, due to heart failure.

A new documentary by filmmakers Ian Bonhôte and Peter Ettedgui, Super/Man: The Christopher Reeve Story, explores Reeve’s life as a father, husband, film star, and world changer.

Ahead of Friday’s release, The Inquirer spoke to two of Reeve’s children, Alexandra Reeve Givens and Matthew Reeve, about their father’s upbringing in South Jersey, his love of extreme sports, and the intimate moments they shared during his recovery.

This interview has been lightly edited for clarity and length.

he film didn’t really explore your dad’s upbringing much. Did you visit Princeton, N.J., as kids?

Alexandra Reeve Givens: Yes. Our grandmother lived in Princeton until a few years ago, so we grew up visiting there. Dad always felt connected there, and Dana was part of the New Jersey Shakespeare Festival for a long time. We both performed in it, and I think Dana was involved on the board. So that always felt like a deep part of our community and our history.

How was it seeing this film for the first time with all your home videos?

ARG: It was amazing to suddenly see your family’s story told in this beautiful, artistic way. Looking back on our dad and [Dana Reeve’s] life in totality was really powerful. The other thing that’s been amazing is seeing how people are connecting to the film. People are having fun revisiting the Superman adventure, and they’re connecting with it because they’ve suffered loss in their own lives. They’re seeing themselves in this story, and that’s really a beautiful thing.

Matthew Reeve: It triggered memories we might have forgotten, like a certain Halloween, Christmas, or family trip. We were lucky that we had video cameras at home, and even luckier they were used. Dana was certainly the family documentarian when we were younger, and I did a lot of filming later on.

ARG: I loved seeing the footage of him auditioning for Superman when he was still super skinny, with big sweat stains under his arms and shoe polish on his head to make him look the part. And an actress, who’s not Margot Kidder, playing opposite him as [Lois Lane].

How was it looking back at his days at the Kessler Institute for Rehabilitation?

ARG: Kessler is one of the premier rehabilitation centers in the country. We still work with them through the Christopher & Dana Reeve Foundation. We chose it because it was close to home and we had all these family ties to New Jersey.

There’s no sugarcoating it. It was an incredibly difficult time in our lives coming to grips with his new reality. It was difficult learning about the limitations and strategies needed to overcome those limitations. But what was powerful about it was that he was surrounded by people who were doing the same thing.

He started hearing from people who were going through similar circumstances, who rebuilt their lives, were back working, and were being strong for their families. And that was incredibly inspiring for him. He realized his circumstances had changed, but he was indeed the same person, and our family still needed him. It was physical rehabilitation, but it was really mental rehabilitation.

It was nice seeing that footage because dad and Dana were conscious about us feeling comfortable with his accident and feeling physically close to him even though his body worked differently. ... Our dad and the people at Kessler really encouraged that a lot, even in a hospital setting.

The Reeve family has been approached for films before. Why did you agree this time?

MR: It usually didn’t feel like the right people were approaching us. Most of them wanted to explore a narrative version of this story, which could have become a cheesy, tearjerky drama. We weren’t interested in doing that.

We’re excited to get his story to a whole generation of people who may not know who he was, or reintroduce him to people who remember him. And hopefully, they will come away with a deeper understanding of who our dad was and all the things that he could do.

What overarching message are you hoping the film conveys?

MR: I don’t know if I can pinpoint a singular thing. We wanted to show a complete 360 view of who Christopher Reeve was. And for me, I think that included some of the things that he could do before the accident, like flying a plane, playing the piano, scuba diving, and all these other things. And his determination, resilience, and spirit to do more for a wider community.

I think his larger message was that you don’t have to be Superman. The definition of a hero is an ordinary individual who perseveres despite overwhelming obstacles. And I hope people understand that revelation and the meaning of it, which is that everyone can do this.

Super/Man: The Christopher Reeve Story opens in theaters on Friday. The film will be available on Apple TV at a later date.

– The Philadelphia Inquirer

An in-the-works UArts documentary will show what led to the school’s collapse

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Amid the thousands of emails that filled his inbox, former University of the Arts professor Kyle Crichton never expected to receive a message like the one delivered at 6:19 p.m. on May 31.

Crichton froze as the news broke — president Kerry Walk said the school was closing in a week. And on June 7, the historic arts college officially shuttered its doors, leaving hundreds of students and educators wondering how and why the university suddenly collapsed.

Administrators blamed declining enrollment and unexpected financial challenges as the source of the dismay, while some UArts employees and union members pointed to alleged mismanagement. The closure sparked days of protests and class-action lawsuits filed by dozens of ex-staffers.

‘I started filming it’

With uncertainty still looming,Crichton grabbed his camera and began capturing student-led protests on the steps of Dorrance Hamilton Hall on June 5. The award-winning filmmaker had another project on the books, but he decided to chronicle the story he was experiencing and watching unfold.

“As it happened, I started filming it,” said Crichton, who received a Mid-Atlantic Regional Emmy for his work on the 2023 documentary Angel Dose. “I was disappointed financially, but I was also disappointed I wasn’t going to be teaching these kids.”

In need of a cinematographer and co-director, Crichton tapped fellow UArts graduatesKatie Supplee and Michelle Rose Goodwin, who agreed to be a part of the project, still in early stages and currently titled “Reckless Education.”

Along with capturing the devastation of the June 7 announcement, the three filmmakers have interviewed UArts students, staff, and faculty about the lasting affects of the shut down over the past four months.

Goodwin, the co-director and producer of the film, is hopeful the documentary will fully capture the frustrations, anger, and heartbreak felt among the UArts community in the days and months after the unforeseen closure.

“The school dissolving in the fashion that it did shook a lot of people’s foundations, took a lot of control from their lives, and made a lot of people feel powerless,” Goodwin said. “And I think this documentary is a way to try to give them that power back.”

Why did UArts close so suddenly?

Goodwin said they aren’t shying away from the school’s missteps, which ultimately led to its dissolution and Chapter 7 bankruptcy filing. But a goal of the documentary is to figure out what happened.

To unveil the full wreckage of UArts, Crichton said it’s a “multi-pronged” approach that requires the voices of city officials.

Crichton, Supplee, and Goodwin are hoping to land interviews with city council members and attorney general Michelle Henry.

“Art is such a good vessel for spreading ideas, and I feel like that’s what we’re doing here,” Supplee said. “We don’t want to just impact the Philly arts scene with the film. We want to speak to the shuttering of educational institutions as a whole.”

Next steps for production

Supplee, whose fiancé worked at UArts before the university closed its doors, said the small production crew is now following “displaced UArts students who were forced to transfer schools to pursue their creative arts career.”

With filming in full swing, Crichton said the team is aiming for a 2026 release. The next step is to add more interview subjects, researchers, and filmmakers to bolster up the production, and score additional funding to piece the self-funded project together.

The three filmmakers are funding the independent venture while balancing their daily work as documentarians and content creators.

Crichton is confident they can produce the film “rag-tag style” for $100,000. And as they bring on more contributors, preferably UArts alums, he believes the nearly two-year process will be worth the wait.

“It feels like we have lightning in a bottle, and we want to continue pursuing it,” Crichton said. “Things will unfold, and we’ve come to the realization that it’s going to be a little bit of time, but we’re prepared for it.”

For more information, visit recklesseducationfilm.com.

– The Philadelphia Inquirer

Yo Philly, we did it! The Visitor Center announces the city’s first Rocky festival

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Nearly 50 years after the release of Rocky, Sylvester Stallone’s iconic Rocky Balboa remains an integral part of Philly lore. And this December, tourists and longtime fans will get to celebrate the first-ever RockyFest.

Following the success of last year’s Rocky Day, which drew thousands of spectators and fans dressed as their favorite boxer, the Philadelphia Visitor Center on Tuesday announced the first RockyFest. The center made the announcement atop the very Philadelphia Museum of Art steps made famous by Stallone in the 1976 Academy Award-winning film.

Visitor Center president and CEO Kathryn Ott Lovell said the weeklong celebration, which runs Dec. 3-8, will feature a series of free and ticketed events, including a 90-minute bus tour. The Rocky Bus Tour will take fans to Mighty Mick’s Gym, the Italian Market, and Adrian Balboa’s fictional grave site at Laurel Hill Cemetery, among other filming locations.

“We’re just excited to give people the opportunity to celebrate Rocky,” Lovell said. “Visitors want to run the steps and get a picture in front of the statue, but this is giving people a much more comprehensive experience.”

The festival aims to expand the fan experience that is already served by the Rocky Shop, located at the bottom of the Philadelphia Museum of Art steps, and Rocky Day, which Stallone attended along with his family and friend, actor Chevy Chase.

During his visit last year, Stallone called residents of Philly the true heroes.

“I want to thank you from the bottom of my heart — and Rocky’s, too, because we’re very close — to all of you who, believe it or not, are the real-life Rockys, because you live your life on your own terms, you try to do the best you can, and you keep punching,” he said.

Through partnerships with Visit Philadelphia, the Philadelphia Film Society, Philly PHLASH, and other organizations, RockyFest will help recreate Rocky and Adrian’s date nights at the University of Pennsylvania’s Class of 1923 Ice Rink and the Philadelphia Zoo. There’ll also be a Rocky marathon at the Philadelphia Film Center.

The Kennel Club of Philadelphia will host the “Southpaws at the Docks: Pugs and Mugs Yappy Hour” at the Cherry St. Pier on Dec. 5 to celebrate the bond between Rocky and his bullmastiff, Butkus. And historian Paul Farber, director of Monument Lab and host of The Statue podcast, will lead a discussion about the significance of the Rocky statue on Dec. 6.

“We’re excited about this year’s lineup of events and look forward to welcoming all who journey here to celebrate this cultural icon,” Visit Philadelphia president and CEO Angela Val said in a statement.

RockyFest guests will be offered free hotel parking and vouchers to the Rocky Shop, Val added.

Jennifer Nagle, vice president of special projects at the Philadelphia Convention and Visitors Bureau, is confident the festival will draw Philly natives in addition to out-of-towners. “I’m from South Philly myself, and there’s nothing more South Philly than what we just put together with this RockyFest, Nagle said. “It’s long overdue.”

For more information and tickets to the inaugural festival, visit phlvisitorcenter.com/rockyfest.

– The Philadelphia Inquirer

Eagles super fan sports a 72-inch custom wig in the team’s colors

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Lifelong super fan Tina McIntosh, 52, has taken her love of the Eagles to new lengths.

For Monday’s game against the Atlanta Falcons (which the Eagles lost in a late-game rally by Falcons quarterback Kirk Cousins) the Southwest Philly native wore a custom kelly green Eagles shirt, green high-top Nikes, white crew socks with the Eagles logo, and a 72-inch long, team-themed wig to match.

“When the Eagles play, I usually look for a lime green wig, but this time I wanted something different,” said McIntosh, who worked as a cleaner at Veterans Stadium in the early 1990s and is now a home health aide. “I had to think outside the box and that was it right there.”

The $300 braided wig is almost like a tapestry with a reimagined Eagles logo from the 1960s: a green eagle carrying a football with yellow talons against a white background. The top and bottom is black and green.

McIntosh shared her outfit on Instagram before watching the NFC matchup with her cousin and grandchildren in North Philly, where she now lives. When CBS Philadelphia posted a video of McIntosh in her Eagles regalia, she caused quite a stir.

“I feel like she deserves a walk-on role in Abbott Elementary for this wig alone,” one Instagram user wrote before tagging actor Quinta Brunson.

McIntosh purchased the wig from part-time hairstylist Shana Everson of Braidedbyshana. The Syracuse-based wig maker has made Green Bay Packers and Kansas City Chiefs-themed wigs over the years.

McIntosh had seen Everson’s work on TikTok and went to her website to place her custom Eagles order. After exchanging images and ideas, Everson delivered a “butt length” wig adorned with Eagles colors within a week.

Everson is surprised by the attention the wig has received, but she’s happy for McIntosh who has been lapping it all up. “She’s such an animated character and she really rocked it,” said Everson, a Buffalo Bills fan. “I was satisfied, and I can’t wait to see the reactions when she wears the wig at the game.”

Ahead of the Eagles Sunday matchup against the New Orleans Saints, McIntosh has already mapped out her Eagles day outfit — another custom kelly green top, a pair of Eagles-themed jeans, and, of course, her new wig.

This time, she wants the Eagles to soar to victory.

“We win some, we lose some. I just pray that we win this Sunday,” she said.

– The Philadelphia Inquirer

Wallo267 doesn’t want you to count yourself out

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Two decades of incarceration and a lifetime of hardship made Wallace Peeples realize his greatest defense was a loaded mind, not a loaded gun.

Peeples, better known as Wallo267 on social media, is a motivational speaker, podcaster, and influencer. Growing up in Nicetown, he bounced in and out of juvenile centers, before being arrested and convicted for a string of armed robberies and served a total of 20 years in the Pennsylvania prison system. But instead of faltering under the strain of imprisonment, Wallo reprogrammed his mind and vowed to change course. If he didn’t, he knew there would be no breaking away from the continuous cycle of incarceration.

While incarcerated, Wallo learned the inner workings of social media from friends and family who made the two-hour commute to visit him in state correctional institutions across the state. He built a following by posting motivational pictures on a contraband phone.

On Feb. 18, 2017, Wallo walked out of the State Correctional Institution of Coal Township with a renewed sense of purpose and over 50,000 Instagram followers.

Now, he has millions of social media followers and a hit podcast, Million Dollaz Worth of Game, with his cousin Gillie Da King, where he has hosted cultural figures like 50 Cent, Alicia Keys, and Mike Tyson. And this week, his new memoir, Armed with Good Intentions, hits the shelves.

“When you come from the ghetto, sometimes you find yourself trying to steal the American dream, and it’s a lot you have to go through,” he said. “It’s just a journey trying to make it out of the jungle. Most of the homies and the people I grew up with didn’t make it out. They died as teenagers. For me to be 45 years old and still operating within culture and society, that’s major.”

We talked to the social activist and motivational speaker about his evolution from life in incarceration to being a social change-maker, the nostalgia of hot scrapple and grits in the morning, and the power of vulnerability. His memoir, Armed with Good Intentions (Simon & Schuster), releases Sept. 10.

This interview has been edited for length and clarity.


How does it feel to have your life story on bookshelves?

It feels good to open up to people who have supported me for so many years. I think it’s great to see that I’m just like everybody else. I go through ups and downs in life. I cry, I hurt, and I laugh. Some people would think once success happens that you’re not normal like everybody else. This book is about human connection. It’s bringing people into my world, with all the struggles, ups and downs, and just trying to win coming out of the ghetto.

Why did you write the book now?

I put out a motivational book that was self-published [in 2020], but I felt like there was more. As you start to level up, you have to time-stamp some things. When you’re dealing with big-time publishing houses like Simon & Schuster, it’s not always about when you want it. You have to always think like, “Man, I guess it’s meant to happen when it’s meant to happen.” Some things we just can’t control.

What was it like?

I have a lot of stuff going on in my mind based on my journey and my experiences because I’ve been in these streets since birth. And for me to be operating in a different world now, there’s just so much that people don’t know. It will take a lifetime to tell them though. Sometimes you can show somebody something, but you have to go through it in order to feel it. I try to share what I can, but sometimes it’s not that easy.

Was looking back difficult?

I look at my life differently than most people. From the time I was 11 years old, I was never free for more than a year before getting out of prison at 37. Being out this time is the longest of my life. I spent all that time incarcerated, getting out, and then getting arrested at 17 and spending all that amount of time. I’ve only been out seven years, so I’m living that life.

It was an emotional roller coaster. When you’re reminiscing about these moments, you have to live in them sometimes. Nobody remembers your life how you remember your life. You remember how you were feeling, and the emotions that came with the ups and downs. The wins and the falls. It’s really deep and just wild.

You were labeled a kid who lacked ‘self-confidence, accountability, and discipline’ during one of your stints at a juvenile facility. What inspired you to add it to the book?

So many people are going to look at this book who have been labeled by society, family, coworkers, or whoever. But it’s important to never count yourself out. The majority of the time, it doesn’t matter what someone says about you. But as much as it doesn’t matter, it can paralyze you for life. Somebody can sit there and judge you, and they don’t even operate in your circumstances. They don’t know anything about you.

You start the book by saying quotes like ‘The road to hell is paved with good intentions’ didn’t mean anything to you when you were young. What does it mean now?

I always had a good heart somewhere, but my environment had me on a different mission because I had to be a part of what was going on.

You grew up eating scrapple and grits. Is that still a go-to?

Nah, that was a long time ago when I was a kid. My grandma used to make it and it was unbelievable. But if you look up scrapple, it’s like a bunch of parts from an animal mixed up. Man, it’s like ear, tongue, and feet. When I was young, it was everything. It tasted good back then.

– The Philadelphia Inquirer

The Philly photographer who spent decades photographing the beauty and majesty of Black cowboys

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More than 30 years ago, Pulitzer Prize-winning photographer Ron Tarver began photographing Black cowboys, rodeo queens, and ranchers across the southern plains of east Texas, the low hills of Oklahoma, and the urban pathways of Philadelphia.

On assignment for National Geographic and The Philadelphia Inquirer, Tarver captured generations of cowboys and cowgirls working in their stables, strutting in small-town parades, or cooking breakfast inside their ranch-style homes. After failed attempts to thread the detailed portraits and textured landscapes into a book project, Tarver put away nearly 20,000 pictures in a storage container.

In the years since, Tarver published a book about the experiences of African American war veterans and became an associate art professor at Swarthmore College after a 30-plus-year career in photojournalism.

His new book The Long Ride Home: Black Cowboys in America finally releases on Saturday. A week later, Tarver will be doing a book signing, sponsored by the Print Center, at the 20 / 20 Photo Festival Photo Book Fair at Cherry Street Pier on Sept. 7. The book photos will also be on display at InLiquid Gallery as part of their Brotherly Lens: A Portrait of Philadelphia exhibition, which is also part of the 20 / 20 festival.

“This is one of those projects that wouldn’t leave me alone for the longest time,” said Tarver. “It’s always been on my mind because it’s such an important project to get out into the public.”

Black cowboy culture’s recent renaissance in pop culture may have started with the 2020 North Philadelphia-set western Concrete Cowboy, starring Idris Elba. Musicians from Lil Nas X to Beyoncé have also straddled horses and donned bolo ties for songs honoring the Old West.

For Tarver, the timing is perfect. “It’s out in the zeitgeist now,” he said. His book’s 110 images showcase the deep roots of the country’s Black cowboys and cowgirls.

Tarver’s The Long Ride Home isn’t the act of an outsider looking into Black cowboy culture. He lived it.

Tarver grew up in Fort Gibson, Okla., where he rode horses bareback, attended rodeo shows, and spent his summers working on local farms and his cousin’s ranch.

His grandfather, Thomas Wilson, was a working cowboy in the 1940s. His father, Richard, introduced Tarver to the world of documentary-style photography.

It wasn’t until Tarver, now an Elkins Park resident, moved to Philadelphia in 1983 that he realized how unacquainted people were with the Black West.

“The bottom line was people didn’t think there was such a thing as a Black cowboy. I got all kind of strange feedback [on the book] from people literally saying, ‘I don’t think there’s an audience for this. I don’t think there’s any kind of thing or entity as a Black cowboy.’ So, that’s why I put this thing in a box and just said, ‘Forget about it.’”

According to Smithsonian Magazine, one out of every four cowboys who were “trailblazing, sharpshooting, and horseback-riding” on the American frontier were Black. And with the release of The Long Ride Home, Tarver plans to paint a vivid picture of the culture’s history and grandeur.

Liz Spungen, executive director of the Print Center, said Tarver faced many roadblocks with the book’s release. But she’s thrilled to see the decades-long project come to life, and to have the capacity to showcase his work in a planned exhibition in fall 2026.

“I think there’s probably a more receptive audience for it now … people are now more eager, I hope, to understand the larger contributions of Black Americans in the West. We are more attuned to hearing these stories now, so I’m hoping it will receive a fabulous audience.”

With renewed interest in his Black Western project, Tarver was tasked with cutting down his 20,000-image collection to a book-size number. He focused on the years between 1992 and 1996, and zeroed in on photos of everything from the rodeo shows to the after-hour hangs.

“I wanted to show that this isn’t a fad,” Tarver said. “I wanted to show the broad spectrum of Black Western lifestyle, and its vibrance even as far back as then.”

Tarver narrowed it down to 250 photos, and then tapped longtime friend and former NatGeo magazine photo editor Elizabeth Krist to pare the project down even further.

Through the editing process, Krist was impressed by the stark contrast between Tarver’s detail-rich portraits and “visceral action shots.”

A founding member of the Visual Thinking Collective, Krist is hopeful the book opens people’s eyes to the lived culture of Black cowboys, both then and now. “It’s an ongoing culture. It’s not something you look back and think, ‘OK, that was the 1800 or 1900s.’ This is something that is still going on. I hope people really understand it on a deep level when they see his work.”

Once the final lineup of photos was selected, New Mexico-based designer David Skolkin stepped in. He was in awe of Tarver’s ability to meld his journalistic practices with his creative nuance.

The two men connected on long phone calls and Zoom meetings for months to finalize the layout and photo sequencing for The Long Ride Home. “It was like figuring out a puzzle,” Tarver said.

“The images felt very real to me. I could feel the people, sense their emotions, and could even sense how things smelled in the environment of the photographs. They had a texture that was very accessible to me,” Skolkin said of the final book.

As Tarver prepares for the book’s release, he’s reminded of the people he connected with throughout his career. Many of the children he photographed in the early 1990s have carried on their family’s legacy of farming and cowboy culture.

He hopes to develop another book that’s dedicated to the families he first photographed. He also wants his images to be placed in national museums and global showcases to continue sharing the story of the Black West for people to celebrate its largely undocumented glory.

“We all built this country,” Tarver said, “and to remind people that we were in this culture and have been for a long time is important. I hope this book carries out that idea, as well as the beauty and majesty of it.”

After years of decorating parties with balloons, this artist is now making art with them

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North Philly artist Brian Ward grew up in the events industry. His family’s kitchen had three refrigerators and he ate Cheerios every morning with drapes, linen cloth, and other party decor hanging from both ends of the dining room table.

His parents, a baker and an event coordinator, brought him into the family business at age 14. He thought about being a part-time magician, party clown, or face painter to earn extra money for school clothes, but none of them stuck. The only one that did was balloon art.

Ward started out making inflatable hats, swords, and balloon animals at kids’ parties. Then he graduated to shaping archways and columns for prom send-offs, birthday bashes, weddings, and other celebrations.

After working as a balloon artist for a decade, Ward, now 26, is pursuing a different kind of art. Instead of contorting balloons into party-ready pieces, he is crafting sculptures and artwork with them. Only this time, they’d all be deflated.

“I wanted to create something that lasted longer with balloons as my medium,” Ward said. “Balloon decor doesn’t have much life expectancy, and I didn’t want to jump to painting or carpentry. People know me as a balloon artist, so I wanted to merge the two.”

With pencils, markers, paint, glue, and deflated balloons, he has made sculptures of basketballs and small dogs. He has also reimagined one of Evelyne Axell’s paintings, whose work inspired Ward to explore vibrant colors.

It’s a tedious process, Ward said. The materials are a small cost, but a typical art piece can take anywhere between 18 hours to three weeks to complete. But he’s found his rhythm and grown more confident in his artistic pursuits.

He went from selling $300 balloon decor packages to $2,000 art pieces bought by a big-name entertainer. And now he’s ready to show his work to a wider audience.

Ward has been a part of hundreds of events, but on Saturday he is putting on his first art show, for nearly 400 attendees at the Bridge Studio in Philly. The self-funded exhibition, titled “Who is Brian Ward?” will be filled with interactive art pieces and installations, including a play pit full of balloon-made balls.

Kamaya Jackson, a friend who has watched Ward evolve as an artist, said he’s always had the ambition to go big, and she’s happy others will get to see his art and know his story.

“I want [Ward] to feel the love the community has for him,” Jackson said. “I hope he can soak up that moment and see how much of an impact he’s made on that community. Just all the good things that can happen, that’s what I want it to be.”

Ward’s first canvas painting will be a highlight of the show.

His father, Brian Ward Sr., gifted him a canvas in July 2023. Ward used it to craft a balloon-filled collage that was inspired by the last painting his grandfather, John Ward Sr., made before his death in 2013.

Ward gifted the canvas back to his dad, who loved it. His father’s reaction gave Ward the confidence to fully pursue his new artistic journey.

“I knew my dad would be proud,” Ward Sr. said. “He was already proud of his grandkids, but he didn’t get a chance to see Brian do the art that he’s doing now. I know he would be proud to see it, and I think that was reassurance for [Ward].”

While the art world is relatively new ground for Ward, he’s establishing himself as an ascending talent. His first and most notable collector is Grammy-nominated artist Smino, who purchased a balloon-made painting of Mickey Mouse during the 2024 Roots Picnic weekend.

The transaction, Ward said, was nothing short of motivational. “[Smino] was like, ‘I’ll Zelle you the money right now. Just ship to L.A.,’ and I’m like, ‘Bro, I’ll carry this jawn on my back and bring it to you.’ I was on my cloud nine after that.”

His new venture hasn’t been without its detractors. Longtime friend Alissa Smith said Ward has encountered naysayers throughout his artistic journey. But the entrepreneurial spirit his parents embedded in him continues to push him forward.

“People didn’t believe in his vision,” Smith said. “He overcame doubt and slower [business] seasons as a balloon artist. People told him it’s not really a normal job. But I think he took that adversity and used it as motivation. He’s created so many different connections, and I’ve seen him push past people not believing in him or trying to slow him down.”

While Ward is still developing his artistic style, he has never questioned whether he had a story to tell. The Strawberry Mansion resident said his upbringing is one of the pillars of his creativity, and he’s driven to inspire others to create their own art — whatever medium they may choose.

“I always tell people I’m inspired by life,” he said. “Some people may say that’s cliché, but I’m inspired by the possibilities of the things that you can do. And I’m just continuing to write my story.”

– The Philadelphia Inquirer

5 Best Moments From Megan Thee Stallion’s Twerk-Fueled Lollapalooza 2024 Headlining Set

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With Lollapalooza 2024 marking the final stop on the Hot Girl Summer tour, Megan Thee Stallion closed out the first day of the festival with an electrifying performance — and a timely message — on Thursday night (Aug. 1). 

After performing at Vice President Kamala Harris’ first presidential campaign rally in Atlanta earlier this week, Megan continued a stellar week by headlining Lollapalooza on Thursday night, three years after her first main stage appearance at the festival and a few weeks after replacing Tyler, The Creator at the top of the Lolla bill. The combination of political statements and twerk-ready hits made sense in the context of her high-wattage show, and went over well with festival-goers, who were equally in awe of her candid stances and catalog of rapid-fire records.

Decked out in a pink sequence jumpsuit and cowboy boots, Meg started her hour-long set with the venomous “Hiss” before transitioning to her more salacious club anthems. The rap star went on to play records like “Thot S**t” and “Megan Piano,” encouraging the crowd to join her as she twerked in the evening drizzle. And with a black towel in hand and a roaring crowd on its feet, she rolled through fan-favorite bangers like “WAP” and “Wanna Be.” “Tonight, I’m not giving y’all my lightest twerk,” she said. “I’m giving y’all my hardest twerk in the motherf–king rain, because I want the hotties to have a good-ass time.” 

Despite the weather and the wrapping-up of her summer tour, Meg made her return to Chicago worth fans’ while. She even brought a special hometown guest to the stage, and played a new viral hit in front of thousands.

Here are five of the best moments from the Meg Thee Stallion’s headlining Lollapalooza performance. 

The ‘Hotties for Harris’ Campaign

Days after her campaign rally appearance, the “Houston Hottie” paused her Lolla show to double down on her support of the presumptive Democratic nominee. “Let me pop my s**t real quick, because [people] were fake mad that I was popping it for Kamala,” Megan said to the crowd at Grant Park’s T-Mobile stage. “I don’t think they heard what she said. Kamala said she wants a ceasefire. Kamala said she supports women’s rights. And she said she’s tired of those high-ass gas prices … It’s ‘Hotties for Harris,’ goddammit!” There were no audible rejections from the audience — the campaign is in full effect. 

The Twerk Encouragement

It isn’t enough for Megan to simply twerk on her own — she’s a masterful hype woman who encourages her backup dancers to shine during brief intermissions in her set. She even had one of her dancers shine with a solo moment while she performed “Gift & A Curse.” The same courtesy was given to the crowd, as fans broke out into twerk circles and hyped each other up from across the park.

The Newest Hit

In short time, Megan has established herself as one of the biggest rappers in hip-hop, as her catalog of trap-infused hits, sharp-tongued diss records and femme-powered jams have elevated her to superstardom. The international appeal of the viral hit “Mamushi,” featuring Tokyo’s Yuki Chiba and given a TikTok dance, has broadened her horizons as well, and went off like a firecracker during her Thursday night set. But overall, her Lallapooloza performance was evidence of her ascension and rightful place as a headliner. 

The Special Guest

While GloRilla was sadly absent from Meg’s Lollapalooza performance after a rumored appearance, the Houston-born rapper invited a familiar face for Chicago sports fans to the stage. The special guest was WNBA all-star forward Angel Reese, who danced with Megan as she rapped “Where Them Girls At.” The Chicago Sky star mostly stood toward the back half of the stage, but she and Meg shared several videos and hugs during the must-see moment. 

The Day-One Hotties

After playing songs from her recent album Megan and Traumazine, Megan traveled back in time, and fully morphed into her alter ego Tina Snow, for stomping hits like “Hot Girl” and night club anthems like “Big Ole Freak.” And while her newly initiated hotties were welcomed with open arms, Megan acknowledged the festival-goers who supported her as she ascended the rap music ladder. 

– Billboard