At night, he’s laying down verses. By day, rapper Anthony ‘Dappa’ Samuels runs a day care in West Philly

Electrifying performances, late-night studio sessions, and endless tour stops: The lifestyle is second nature to Philly rapper Anthony “Dappa” Samuels, whose connections and lyrical prowess have landed him on stages with some of the biggest names in the industry.

Equipped with charisma and punchy lyrics to match, the 30-year-old has performed with the likes of Fabolous, Machine Gun Kelly, Action Bronson, and Ty Dolla $ign. He’s collaborated with Westside Boogie, Stalley, Benny the Butcher, and other notable hip-hop stars.

But that’s only half his story.

Between the late nights in the studio and the days traveling from one tour stop to the next, Samuels happily embraces his role as “Mr. Anthony,” the owner of West Philly’s Young With Options Academic Center.

After quitting a job in accounting back in 2017, Samuels was encouraged by one of his mentors to pursue his love for child care and open the learning center. That year, he began operating out of a rowhouse at 53rd and Market Streets. “My overall vision was to have a creative arts program or creative art school,” he said. “That’s been a passion of mine for a long time, and we’ve been able to incorporate it here.”

The day care’s multicolor marquee hangs outside a powder blue rowhouse adorned with painted clouds. The space is a wonderland for young kids with bright eyes, endless energy, and an insatiable appetite for learning.

As Samuels walks through the day-care doors, kids look up from their cots with smiles as bright as the center’s crayon-colored walls. “Hey, Mr. Anthony,” they yell out in cheer.

Samuels and assistant director Dinnelle Jordan help organize poetry, music, and acting classes in the multi-floor space. Last month, they started a dance studio on the top floor, where they teach majorette, hip-hop, ballet, and other dance and exercise courses.

Most of the children hail from low-income families from West Philly.

Janelle Walls has been bringing her 7-year-old daughter to Young With Options since she was 1. Walls continues to send her child because of Samuels’ influence and willingness to support her family, even when she couldn’t afford the fees.

“One word I use when speaking about [Samuels] is ‘alignment,’” she said. “He isn’t at the school preaching positive behavior to the kids and then going into the studio and pushing a different message. Everything about him and what he does is consistent with the Young With Options brand. To me, it’s a message to kids that you can be yourself and still be successful.”

In the five years she’s worked with Samuels, Jordan said he’s been a consistent light of positivity. While other rappers dive into fast food chains and clothing lines on the side, his venture into child education speaks to his love for the youth, she said. “The fact [that] he helps other families go to work while looking after their children was a brilliant idea,” Jordan said. “It just goes to show how much he cares about his community.”

As a kid growing up in the Strawberry Mansion section of North Philly, Samuels said he seldom saw Black men with legitimate businesses, especially those revolving around childcare. “I love being able to be there and be hands-on,” he said. “I take a lot of pride in that, and it actually helps me with music and in life. I know I have to be that mentor and can’t do anything illegal, snap out, or make bad decisions. I have to stay solid.”

Samuels said being a day-care owner has had an impact on his music. He’s made a conscious effort to veer away from lyrics heavily revolving around street life. He knows his students are listening to his music, and their parents are keeping a watchful eye.

“I’ve seen and been through a lot,” he said. “I’m from the same environment that the kids in my day-care are from. I was one of those little kids, too. That’s what I love about being here. A lot of these kids, especially the little boys here, look like me and act like I did at one point in time.”

Samuels performed at the 2023 Roots Picnic Music Festival and acted alongside Danielle Macdonald in the film Patti Cake$. He was a stand-in for Michael B. Jordan in 2015′s Creed.

Legendary Philly artist Freeway said Samuels’ rap skills alone were enough to connect the two artists. But after hearing about Young With Options and the rapper’s other endeavors, he knew Samuels was cut from a different cloth.

“He’s always trying to go to the next level and push the envelope,” the “What We Do” artist said. “I feel like he’s going to have a long career and branch off into movies and different things outside of music every once in a while.”

Samuels said he wants to continue expanding as an artist and entertainer. But in that pursuit, he plans to open more academic centers so more children have a place to hone their creative arts skills.

“It’s all about me making a difference,” Samuels said. “I’m really big on the people, so I’m working to get bigger and have more day cares in the future.”

– The Philadelphia Inquirer

8 Exciting Sets From The 2023 Roots Picnic: Usher, Lil Uzi Vert, Lauryn Hill & More

For 15 years, The Roots have gathered the music’s brightest and fastest-rising talents to perform in Philadelphia for their annual Roots Picnic, and this year’s lineup was nothing short of star-studded. 

After kicking off the weekend with Dave Chappelle’s comedy show at the Wells Fargo Center on Friday, the action moved to the Mann Center in Fairmont Park where fans witnessed surprise crew reunions, unexpected cameos, and a taste of the Las Vegas strip across three performance stages. 

On Saturday, legendary rap group State Property reunited for the first time in years, Lil Uzi Vert rocked out with the Park Stage crowd for his third picnic appearance. Supported by the Soulquarians, legends the Isley Brothers and Roy Ayers lit up the Park stage. Lauryn Hill closed out day two by commemorating her GRAMMY-winning album, The Miseducation of Lauryn Hill, and bringing out Pras and Wyclef Jean for a Fugees reunion. 

Sunday featured high-powered performances from soulful songstress Ari Lennox, former Ruff Ryders first lady Eve, and the devastating femmes of South Florida, the City Girls. Philly’s own DJ Drama drew out home-grown talents like D-Surdy, Armani White, and Bronx legend Fat Joe on the Presser stage. 

To close out the weekend, Usher brought the magic of his Vegas residency to West Philly for a string of era-defining hits in the twilight of the festival. Read on for some of the most captivating moments and exciting sets from the 2023 Roots Picnic. 

GloRilla Shines In Roots Picnic Debut

Unapologetic rebel GloRilla may have just one EP under her belt, but her growing fandom came alive during her Roots Picnic performance.

The Presser Stage crowd swooned along with femme-empowering smashes like "Phatnall," as well as more provocative songs like "Nut Quick" and "Lick or Sum." Legions of newly single fans  screamed the lyrics to crunk hit "F.N.F. (Let’s Go)." 

Big Glo kept the momentum going at high speed, loosening the relatively stiff crowd. And while Cardi B wasn’t present for her part in "Tomorrow 2," GloRilla brought out an energized and visibly pregnant Chrisean Rock for a twerk-worthy cameo. 

GloRilla truly embraced her rowdy nature and southern charm, which has helped her earn garner recognition from her peers and even notch her first GRAMMY nod for Best Rap Performance. 

Usher Brings Sultry And Sin To The City, With A Few Special Guests

Before Usher had even closed out the festival, radio and podcast personality Charlamagne and comedian Jess Hilarious talked about wrapping up their own event early to snag a close seat to watch the R&B star in action.

Though decades into his musical career, Usher hasn't missed a step. Dressed in leather, the eight-time GRAMMY winner delivered his classic, slow-burning album cuts and glossy radio hits under the glimmering lights of the open air Park stage. 

Usher put on an electrifying performance that covered hits from various eras in his catalog. Songs like "Love in This Club," "U Don’t Have to Call," and "Lil Freak" had Sunday’s crowd staring in awe, even for those looking to get ahead of the departing traffic. He also brought The Roots on stage before Philly natives Jazmine Sullivan, Eve and Black Thought joined the singer to perform "U Got Me." 

Lauryn Hill (And Some Famous Friends) Took The Crowd Way Back 

Lauryn Hill’s reputation precedes her. Some fans joked about her tardiness — or even potential absence — but the legendary vocalist arrived about 30 minutes past her scheduled set time and put on a performance that was met with shockwaves of cheers.

Hill's headlining performance coincides with a big milestone: the 25th anniversary of her groundbreaking album The Miseducation of Lauryn Hill. "Even though it's been 25 years, everything is still everything," she told the enlivened crowd. 

She performed tracks from the masterful GRAMMY-winning album, including "Everything Is Everything" and "When It Hurts So Bad," but perhaps the biggest surprise throughout the weekend was the reunion between her, Pras and Wyclef Jean. The trio came together as the Fugees to perform hits "Ready Or Not" and "Killing Me Softly" for a spirited celebration of the group’s 1996 album The Score. 

"We’re out here doing 25 years of Miseducation. But there’s another 25 years we didn’t do a couple of years ago because of COVID," Hill said of the group’s project. The group closed out with "Fu-Gee-La," with Hill switching from her soothing alto to her "L-Boogie" persona of old, bringing the joyous crowd to its knees. 

City Girls Bring The Twerkers Out To Play

The City Girls brought headliner energy to Sunday’s picnic, with JT and Young Miami inciting a twerkathon with hot summer girl anthems like "Act Up" and "Do It On The Tip" playing out center stage. 

The Miami duo kept the energy high with on-stage twerk moves, pulsating hits like "Twerkulator," and efforts to draw out the crowd’s inner act-bad attitude by screaming: "If you’re a bad bitch, say, ‘Hell, yeah!’" And by the end of the group’s performance, fans were left with a racing heartbeat or sweating from the constant flow of high-powered hits and go-get-him-girl records. 

Lil Uzi Vert Knows What The City Wants

Now in their third appearance since 2016, Philly native Lil Uzi Vert took to the Park stage on Saturday, bringing enough bass and adoring screams that could be heard across Fairmont Park. 

 "I ain’t going to do too much talking. Let’s do it," they said to the roaring crowd. While Lil Uzi’s voice occasionally drowned in a song’s instrumental, their effortless magnetism and signature shoulder roll dance brought excitement to the growing crowd. 

The rumblings of hits like "444+222" and "Sauce It Up" rang in fans’ ears, and songs like "Money Longer," and the Diamond-selling smash "XO Tour Llif3" nearly turned portions of the crowd into mosh pits. Lil Uzi’s performance came to a welcomed halt when fans were invited to the stage to dance to the massively popular "Just Wanna Rock," which has become an unofficial anthem in their hometown. "I’m in the city, this they s—."  Fans pulled out their phones as the rap star capped off the set with the viral hit. 

Lucky Daye Drips In Allure

Only a year removed from his breakthrough album, Candydrip — a genre-drifting and soul-stirring project riddled with pop and R&B hits — Lucky Daye has risen to star status. And with songs like "Real Games" and "Late Night," it’s easy to be drawn to the New Orleans-born artist. 

While initially draped in glimmering red garments, it didn’t take the artist long to strip down (well, shirtless, that is), and render impassioned vocals over the cheers and screams of his admirers. He dove into songs across his various albums and fell to his knees to deliver a burningly passionate rendition of "F—kin’ Sound" before the 37-year-old vocalist exited the Mann’s amphitheater stage.

Ari Lennox Conjures Soul In Comforting Fashion

It’s unclear if Ari Lennox still has plans to step away from the touring circuit for good, but if her Sunday evening performance is any indication,  her presence would be sorely missed. The "Shea Butter Baby" vocalist conjured every fragment of her soulful and poetic artistry, bringing vibes despite having a slight cold.   

The DC-born R&B singer danced to the flowy breeze setting over the stretched-out crowd while singing favored tracks like "New Apartment," as well as "Waste My Time" and "Pressure" from last year’s Age/Sex/Location. Lennox encouraged fans to close their eyes and sway their hips, and many raised drinks as Lennox’s soothing voice and sultry lyrics wrapped around their bodies.

Busta Rhymes And Eve Come To Devastate

Joined by The Roots’ Black Thought, Busta Rhymes and Spliff Star tore down the Park stage, even with distracting audio woes hindering the early part of their set. Shot mic or not, Busta’s lion-like voice could be heard from yards away as he spewed the lyrics to "Put Your Hands Where My Eyes Could See" and A Tribe Called Quest’s "Scenario" to a cheering audience. 

Eve arrived during the latter part of the DJ J. Period curated set. The former First Lady of Ruff Ryder burst onto the stage and held her own alongside the fellow hip-hop heavyweights. As she swayed the crowd with songs like "Tambourine" and her verse on the late DMX’s "Ruff Ryders Anthem (Remix)," it harkened back to her days as a lyrical wild card in the early 2000s before she ventured into acting and hosting gigs. 

– GRAMMY.COM

From South Philly to Broadway to addiction and back again

As early as 6 years old, dance was everything to James T. Lane. He used to break-dance on the sidewalks of his South Philadelphia neighborhood streets, and was so enthralled in his first dance class at Meredith Elementary School, he forgot to take a bathroom break — and ended up needing an extra pair of pants as a result.

“Dance was my first language,” said Lane, who went on to study jazz and ballet. “I could express myself as a little Black gay boy, and I had a talent that kept the bullies away. I knew I could express myself and I can have feelings, be emotional and ride the rhythm of the music. That was very attractive to me, and it was a bright light in a very dark world.”

Those days led Lane to pursue a career in acting, and after seeing Robert Guillaume become the first Black actor to play the title role in The Phantom of the Opera, he knew his dreams of reaching the Broadway stage were possible.

In the nearly 20 years since making his Broadway debut, Lane, 45, has starred in productions such as The Scottsboro Boys, Roundabout’s revival of Kiss Me Kate, King Kong The Musical, and he wrapped up his turn as Billy Flynn in Chicago earlier this month.

Now, instead of being a vessel for others’ stories, Lane said he’s ready to share a deeply personal story of his own and show audiences the failures, tragedies, and triumphs that shaped his identity and, ultimately, saved his life.

In his one-man-show Triple Threat, Lane will chronicle his life growing up in the notorious Southwark housing projects in South Philly, and detail how his love for the stage led to his Broadway stardom, and helped him overcome the darkness and isolation of drug and alcohol addiction.

Lane will play a total of 20 characters in a solo production that draws back to his formative years at Meredith Elementary School and Philadelphia’s Girard Academic Music Program (GAMP).

The actor will embody the spirit of his mother, police officers, teachers, fellow drug addicts, and other loved ones he encountered during that period of his life.

Before starring in three Tony Award-nominated musicals, Lane was a fresh-faced 19-year-old actor who declined full theater scholarships at Carnegie Mellon and Pennsylvania State University to pursue an early career start in the Big Apple.

Upon moving to New York, Lane landed a starring role as Tyrone Jackson in Fame. But after tearing his Achilles tendon, he turned to drugs and alcohol, which led to a four-year battle with substance abuse.

“It was a far fall from grace,” he said, “from a 19-year-old traveling the world and being in Switzerland to not being able to get out of their four-block radius in South Philly because I had a drug and alcohol problem. My world got very, very small.”

Lane moved back to his mother’s home in South Philadelphia with hopes of regaining his footing. At the time, Lane said he was a “garbage head,” dabbling in any drug he could get hands on, including ecstasy and crack cocaine.

The support from his mother, Starletta Smith, ultimately led to his recovery.

“I begged him to change,” Smith said. “I didn’t know the man he had become. When he tore his Achilles, he was sad because it stopped him from performing, and that was him. [Lane] lived for the stage, and when he couldn’t do it, one drug led to the other and it just got out of control.”

After entering a local outpatient center in 2004, Lane vowed to refrain from drugs and to work his way back up the theater ranks. But first, he needed to tighten his frame, regain his confidence, and embrace his past missteps.

“I could always dance and act, but back then, I just couldn’t do it anymore,” Lane said. “I just couldn’t muster up the conviction. I didn’t have any connections, and the talent wasn’t showing up anymore. I couldn’t keep rhythm or keep timing, so I decided to get my act together and started talking about being Black, gay and being an addict. I started to really give voice to that shame, and interestingly enough, I was able to breathe a little easier and walk a little lighter.”

Along with his mother’s guidance, Lane leaned on his faith to blaze a path toward personal and artistic salvation.

Before moving back to New York, Lane took a job at the Walnut Street Theatre and began stringing together local performances. After resharpening his skills in a production of Aida, his name began to circulate again in the theater world. In 2006, he landed his first Broadway role as Richie Walters in the Tony-nominated musical A Chorus Line.

In the years since the production’s run, Lane has become a notable name in New York City theater, and has even transitioned to the silver screen as a recurring character in NBC’s The Amber Ruffin Show.

With Lane’s one-man show just months from its New York debut, Dorina Morrow, his former music teacher at Meredith Elementary, said his story will encourage audiences to conquer any obstacles in their guard.

“He can talk the talk, but he can walk the walk,” she said. “I don’t see him ever stopping, and I think the overcoming of his troubles will be such an inspiration.”

Lane’s “Triple Threat” will make its off-Broadway debut at Theatre Row, 410 W. 42nd St., in New York. There will be a preview for Pride Month on June 17, followed by its official opening on June 23. For more information on the show, visit bfany.org.

– The Philadelphia Inquirer

New Philly theater company is creating productions for children with disabilities

Sarah Gordin’s love for theater bloomed the moment she saw Beauty and the Beast on Broadway.

At 4 years old, she stood up to watch the entire show through the balusters of the mezzanine, enthralled by the experience. The classic production inspired her to become a performer and later an educator in the world of theater.

Now, as an early childhood movement arts specialist at Germantown Friends School, Gordin, 23, relishes when her students are struck by the same magic she witnessed as a kid. But in the years she’s been a part of the local arts community, she noticed something was missing: a company fully dedicated to performances for children with disabilities.

“Every major city has a dedicated children’s theater, so I was shocked that Philadelphia didn’t have one,” said Gordin, a native of Livingston, N.J. “It’s really important for children to be exposed to theater. And this is the type of work that I want to create as an artist, and sometimes you have to create your own opportunities to do it.”

Jennifer Spencer (center) holds a sensory object (a bumblebee) while rehearsing “Season’s Magical Adventures: A Sensory Play” at Philly Children's Theatre.Yong Kim / Staff Photographer

Gordin established Philly Children’s Theatre in November 2021 with the aim of making theater more accessible to children throughout the region.

Inspired by Oily Cart in Europe, Philly Children’s Theatre puts on “sensory-devised” performances that incorporate interactive elements tailored to young children with disabilities. The company offers pay-what-you-can for entry and brings productions to local neighborhoods to eliminate the cost and travel barriers some audience members may face.

Their first production, Without Wings by Ilana Zahava Abusch, included American Sign Language interpretation at one of its performances in July 2022. And assistant artistic director Erin Gaydos said the group’s next production, Season’s Magical Adventures: A Sensory Play, will include more interactive features to give kids a more direct hand in the production.

Ahead of the play’s premiere on May 6, children in grades 4-8 at the Julia de Burgos Elementary School are making the show’s set and props, which all have a sensory element to them. Props include buttons, fuzzy pom-poms, wax flowers, rainmakers, spray bottles, and fans.

Philly Children’s Theatre is bringing the magic of the arts to children with disabilities. The company's productions include the use of sensory prop items like pom-poms, rainmakers, spray bottles, fans, and other items.Read moreCourtesy of Philly Children's Theatre

The props will be placed in a bag and given to groups in the audience at the beginning of each show. The characters in the production will guide each child using the sensory props as they appear, allowing them to help tell the story. Gaydos said there will also be original music, sing-alongs, and guided dances to engage different senses.

“It encapsulates that immersive and interactive part where they’re going through and creating the show with us while it’s happening,” Gaydos, 23, said. “And that way, they are allowed to experience the show in any way that they want to or can. There’s no judgment.”

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The prop and set-making are led by Julia Gutman, who heads art projects for the Creative Arts and Restorative Education Program. By helping children crochet, sew, and weave the art textile pieces together, she said it’s building a deeper connection between them and the show’s story of the four seasons.

“It’s not just for children, it’s with children involved,” Gutman, 24, said of the play. “I just love how child-centered it is.”

Cast members rehearse a sensory-devised performance of “Season’s Magical Adventures: A Sensory Play” at Philly Children's Theatre. The play will include tactile kits for children to use as part of the production.

Once the show’s spring run ends, Gutman said students will be able to take home the props they designed. The script will also be turned into a storybook by playwright Juana Parral, with Julia de Burgos students illustrating the story.

Through community partnerships, Season’s Magical Adventures: A Sensory Play will debut in a closed performance at the Center for Autism and the HMS School in April. Public performances will take place at the Wyck House, Abington Arts Center, and Historic Fair Hill May 6-13.

Performer Jennifer Spencer, 24, said the theater’s desire to take the show to different neighborhoods in Philly is what drew her to the company, and she can’t wait to see how the children take in the experience.

“It’s important to reach people where they are because not everybody has the same opportunities as everybody else,” Spencer said. “I grew up in a program that allowed me to see opera from a young age, but other kids have never seen an opera or theater show. This is gonna be their first time experiencing something like that, and this is a great way to show them.”

Cast members rehearse at Philly Children's Theatre.Yong Kim / Staff Photographer

Going forward, Gordin wants to continue securing funding and support from local organizations to introduce theater to children ages 1 to 5 and make sensory-based productions more accessible throughout the region

“It sounds like a big goal, and it is, but we’re going to talk to community centers, hospitals, homeless shelters – wherever we can bring the show and bring joy,” she said.

Season’s Magical Adventures: A Sensory Play premieres May 6 at the Wyck House. Two other shows are scheduled, May 7 at the Abington Arts Center and May 13 at Historic Fair Hill.

Registration for the 45-minute production opens March 1 and can be found on the group’s website. For more information, visit phillychildrenstheatre.org.

– The Philadelphia Inquirer

We asked Shaq about possible 'Steel' remake, and he didn't say no

Before taking the stage Oct. 23 at Circuit of the Americas after the Formula One U.S. Grand Prix, DJ Diesel, better known as the larger-than-life (and just large) Shaquille O'Neal, chatted with the American-Statesman and hinted at a possible remake of the widely panned but beloved superhero flick, "Steel."

Although the 1997 film is considered one of the worst superhero movies of the genre, and a point of laughter for Shaq, who wore the armor of DC Comics character John Henry Irons, the 7-foot-1-inch star said an updated version of the movie might be worth pursuing. Now, is he serious? We have no clue.

"I did that movie right before the special effects took off," Shaq said with a smile. "The (outfit) was like a costume. But if I ever get a chance to redo that movie I'm definitely ... Matter of fact, I'm going to redo 'Steel.' You heard it here first."

Here's a look at the rest of our conversation with the NBA Hall of Famer:

Shaq was pulling for Lewis Hamilton to take first place at Formula One.

Shaq talked about why he was back in Austin for a second year to perform as DJ Diesel after the Formula One race.

"It's great. There are a lot of people here, a lot of fanfare and I'm looking forward to seeing the race again. Hopefully, my guy (Lewis Hamilton) can pull it off, but it's just nice to see beer and sunny Austin, Texas and everybody having a good time. I love being here, it's a great atmosphere."

(Max Verstappen won after a "dynamic duel" with Hamilton.)

Shaq has a deep love for Austin.

Shaq's Big Chicken was at Formula One and has a year-round presence at Austin's Moody Center. He said he knew Austin was an ideal spot for the franchise because of the fond memories he has of visiting the Texas capital.

"Well, I'm from San Antonio. We used to come up to Sixth Street damn near every weekend. I've always loved Austin, and I've always loved Pflugerville. I told myself when I get done, I'll buy about 500 acres out in Pflugerville. But listen, Texas is a great state, Austin is a great city and the people here are (too). I've always done a lot of business here. I used to do business with Dell, so I used to come here a lot and I've always loved the people in Austin. My daughter once attended the University of Texas. ... So I wanted to put the Big Chickens in the cities where I had a presence."

Shaq picks Giannis to win MVP, Golden State to capture back-to-back championships.

With the 2022-2023 NBA season in full swing, Shaq made some early predictions for league MVP and said which team he thinks will hoist the Larry O'Brien NBA Championship Trophy at the end of the season. Spoiler: He didn't pick my Cleveland Cavaliers.

"I thought Joel Embiid was going to come out the MVP, but now he just made it harder with that 0-3 start," he said. "Giannis (Antetokounmpo) is looking really good. Forty-four points in 28 minutes. I'm headed toward Giannis. The guards always get looked at for MVP, but I'll go with Giannis this year. And the (Golden State Warriors) seem to still be the favorite."

So no hope for my Cleveland Cavaliers?

"Cleveland looks good," he said. "They got Donovan Mitchell who's playing well. Cleveland will be good for him. It's a city that's a hard-working city, and they'll let him know when he's out there messing around. I think that will bring the best out of him. The (Utah Jazz) was too 'Aw,' but every now and then you need to look in the stands and see your fans disappointed so you know to step your game up. "

– Austin 360