The two-man Philly shop responsible for some of the iconic ‘Severance’ furniture

Outside the elevator doors of Lumon Industries’ severed floor, Severance‘s Miss Huang (Sarah Bock) awaits the arrival of Mark Scout (Adam Scott) and the company’s other “microdata refiners.”

The young deputy manager sits on a green bench, which has made its way to the AppleTV+ series from Columbus, Ind., by way of a Philadelphia shop.

While audiences kept an eye out for stunning revelations, furniture dealers and Rarify founders David Rosenwasser and Jeremy Bilotti squinted their eyes for a sharper look at one of their finds.

Miss Huang’s seat was a modified version of the John Behringer 1961 Link Bench the duo scored in Columbus, which they called the “mecca for modern architecture.”

“That was the first piece we saw sequentially that we were like, ‘Oh shoot, there it is!‘,” Rosenwasser said. “We knew it was a cool piece, but we didn’t know what it was going to be.” Reupholstered in green for the screen, the bench is one of several Rarify finds seen throughout the second season of the superhit TV show.

After years restoring and selling one-off vintage furniture pieces, the MIT and Harvard grads merged their interests in architecture, manufacturing research, and vintage furniture four years ago. The result was Rarify, the designer-led furniture and lighting dealership that sources hard-to-find furniture, refurbishes, and then sells them.

Last year, Rosenwasser and Bilotti opened their Bella Vista showroom at 735 Bainbridge St., while their larger collection is stored in a 80,000-square-foot warehouse in Lebanon, Pa.

“It was always something that was built from the ground up,” Bilotti said. “It started off as restoring just one single huge chair, which is wild to think about.”

The self-proclaimed “vintage furniture nerds” hand-picked the 1960s midcentury conference tables, desktops, prism lounges, and finely-crafted credenzas that fit the dark and ambiguous world of Severance creator Dan Erikson.

“They look almost futuristic, but they are also sort of vintage and retro in the same way,” Bilotti said. “There was intentionality behind what the decorators were doing, and the furniture and design of the spaces, the architecture, contributes to that in a very intentional way, which we really love.”

The furniture helps define the unsettling labyrinth below the surface of the Lumon Industries building, where Mark Scout, his coworkers, and partial love interest, Helly (Britt Lower), transform from their everyday selves (outies) into their Lumon identities (or innies).

Along with Miss Huang’s bench, other Rarify collectibles that made it to the show include a $15,500 Washington Prism lounge, ottoman, and table set by David Adjaye that finds pride of place in the muted and haunting home of Jame Eagan (Michael Siberry).

A Gerald Luss credenza ($19,950) stands in Burt Goodman (Christopher Walken) and husband Fields’ (John Noble) home, in a scene that was shot in the actual Gerald Luss House in Ossining, NY. There was also a full suite of Jens Risom and Florence Knoll pieces at the fictional Ganz College, where Mark and his wife, Gemma Scout (Dichen Lachman), first met and worked.

But the biggest shock came seeing one of their finds at the center of the explosive season finale.

The baby crib at the center of “Cold Harbor,” where Gemma Scout is forced to confront one of her last (and most traumatizing) memories, also came from Rosenwasser and Bilotti. And yes — spoiler alert — they spotted the oak-colored crib in an earlier episode in Mark and Gemma’s house before it moved inside in “Cold Harbor.”

“I didn’t really process the crib,” Rosenwasser said. “It didn’t really hit me because you couldn’t see it that well [earlier in the season]. And then on the last episode, it’s like, ‘there it is!’”

The Severance team, they said, even designed a custom box for the crib with “COL d’ARBOR” written across.

Bilotti and Rosenwasser found the crib by designer craftsman Charles Webb in Cambridge, Mass., after a lengthy search. When the Severance team wanted two of them, the duo scrambled to find one just in time for production “somewhere in the Midwest.”

The level of detail interwoven into the show’s story lines also went into its set design and decoration, Bilotti said. Both of them, he said, were thrilled to play a part in the three-year project.

“It’s wonderful for us as people in the furniture and design world to see such public interest in these pieces … We hope that we’ve made a tiny impact, and maybe educated some people, too,” Bilotti said.

Bilotti and Rosenwasser caught the attention of Jeanelle Marie, Severance‘s assistant set decorator, thanks to word-of-mouth and a series of viral videos of showcasing their restoration process and growing vintage collection.

After the pair collaborated with Marie on the Kaley Cuoco-led series The Flight Attendant, they met the then newly-assigned Severance set decorator, David Schlesinger, who had previously crafted sets for Knives Out, Hustle, The Equalizer 2, and Leave the World Behind. In February 2023, Rosenwasser and Bilotti showed Schlesinger their 15,000-plus collection in their Central Pennsylvania warehouse.

Once Schlesinger left, the duo started receiving “urgent” phone calls and emails from the show’s set decoration team, requesting hard-to-find items that weren’t in high circulation. The inquiries set the partners off on deep dives looking for pieces that could furnish the vague world of Severance, which blurs the line between the past, future, and present.

“They were looking for the best of the best that hadn’t been widely covered in culture and media,” Rosenwasser said. “If you could buy it from a furniture store today, it was a lot less appealing.” The ones that made it onto set, he said, were often in short supply.

Billoti and Rosenwasser sourced the pieces and shipped them to the shooting locations in central New Jersey or New York’s Hudson Valley.

“There were super-specialty things that were really unique, and they would need 10 of them. It was quite a challenge,“ Rosenwasser said. ”But we scoured the interweb, and by luck, there were other ones out there.”

For every item that made it into the show, Bilotti said, there were at least two more that didn’t. That list includes a John Nyquist desk chair, Lehigh Leopold end table, Lewis Butler coffee table, and an assortment of other fittings.

For Bilotti, Severance has become a version of AMC’s Mad Men. “The set of Mad Men was so integral to the identity, that made it a hit TV show. The same goes for the Bell Works headquarters, Gerald Luss House, and the other architectural works that Severance is filmed in. The furniture is a part of the lore of the story."

Is a third season collaboration in the works for Bilotti and Rosenwasser?

“We’re crossing our fingers,” Bilotti said.

– The Philadelphia Inquirer

Lisa Ann Walter wants some Philly restaurant recommendations

After decades of acting in theater, film, and TV, Lisa Ann Walter is settling into stardom.

That’s thanks to Melissa Schemmenti, the hilarious and ever-resourceful second grade teacher she plays on the ABC hit Abbott Elementary. Now, with her star on the rise — she’s appearing in the new reboot of Who Wants to be a Millionaire, which launched earlier this month — Walter is recording her comedy show in Philly.

Starting Thursday, Walter will be in Philly for a three-night stint at Helium Comedy Club with a gift in mind. After a decade of headlining live shows, the actor will record her debut comedy special at the Center City venue. Her Abbott Elementary costar and “work-wife” Sheryl Lee Ralph will coproduce and codirect the project with Walter.

“I think anyone who’s been to a Philly sports event knows that Philadelphians don’t hold back,” said Walter, who slipped in and out of Schemmenti’s South Philly accent during a Zoom interview. That passion, she says, makes Philly the ideal spot to record. “[People in the audience] are loud, but they’re not trying to heckle. They love being at the show, they love being enthusiastic, and they’re smart. That is the perfect combination for a great comedy audience, and Philly has really embraced me.”

Ahead of her shows, we talked to Walter about her disco dancing, the weeks she spent studying Bradley Cooper’s Philly accent, and her love of Dalessandro’s Steaks.

This interview has been lightly edited for length and clarity.

Is Philly your favorite city to do comedy?

I did a show last year, and I never felt more at home in a place that wasn’t where I grew up. One person came up to me and said, “You know, we didn’t even want to like you.” They were very conscious of the fact I was coming to the city as a newbie. But they said, “You’re one of us.” People hugged me, kissed me, and gave me food everywhere I went. If you do those things, then I’m home.

You’re from Maryland. How did you master the South Philly accent?

When Bradley Cooper did an Abbott Elementary episode, I told him I studied his videos. When he was first coming up, he went on talk shows and they would make him do the accent — almost like it was a circus trick or something. But he was so good at it that I would find those interviews and study them. I can’t tell you the number of hours, days, and weeks I spent making sure the accent was perfect. I tell people from Philly all the time, “Let me know if I can do it better. Hook a girl up.”

You brought a flask to the 30th SAG Awards. How much more Philly can you get?

My favorite part of that was how they had me hand the flask to Sheryl Lee Ralph, and she didn’t know it was coming. And the look on her face was so pure. Like, “If you don’t put that away … we are in public.” It was so Sheryl, but also [her Abbott Elementary character] Barbara.

The chemistry you and Sheryl Lee Ralph have is incredible. No wonder you’re working on this special together.

We’ve all heard stories about TV actors who played lovers for over 10 years, but it turned out they hated each other. Like, “Oh, he had bad breath or body odor and wooden teeth.” Right? But I think it’s very hard to act the kind of chemistry she and I have.

We fell in love as “workwives” on day one because we had so much in common. We were single moms raising our kids in Los Angeles. All the ways we connected were so pure, and we loved hanging out. We immediately started going shopping together because there were so many events we had to go to. We were outside a Zara dressing room while she threw clothes at me for like three hours. She dressed me for the next five events. We truly are that close. I adore her.

If you ever meet someone like her, you have to keep them in your life. She’s blessed from the moment she gets up in the morning.

What is it about stand-up that keeps you coming back on stage?

I think it’s connecting with people. It gives me immediate gratification, and it’s exactly what I intended to do when I was on stage as an actress in high school and I started doing dinner theater.

In my first professional show at 16, I made the audience laugh and cry. And I said, “I always want to do this.” Then I started doing stand-up and connecting with different audiences. That kind of experience in one room has chemistry. Comics know this, which is why I didn’t want to do the special in a big theater. I want to do it the way I came up in comedy. On a small stage at the level of the front tables, watching as the laughter travels from the front to the back of a room. It’s the closest thing to me knowing why God put me here on Earth.

You were also a disco dance instructor, right?

When I was coming up in D.C. as a kid, disco was huge. In D.C., they invented the hustle, and all my high school friends could dance. One of my best girlfriends was Colombian and she had four sisters, and they all had guys that could dance. I learned how to dance and they would yell at me “gringa,” and I learned how to move my hips. I started competing in disco competitions and I would win them. My mom, a crazy Sicilian, would drive me downtown to these clubs while I did these competitions. And then I got a job at 16 at Arthur Murray teaching old businessmen how to do the hustle, which is really just the salsa. I taught them the cha-cha, the waltz, and all these ballroom dances. And my grandfather, the old Italian, he taught me all those. And then when I turned 17, people wanted me to go to disco competitions in Rio de Janeiro, and my mom was like, “No, you are not.” So I had to quit Arthur Murray.

In the past, you’ve talked about the L.A. dating scene. How’s your dating life now?

Listen, I could always find a fella — and they found me. I’ve always had young guys slide into my DMs. Always. But you don’t want to date people because you’re famous. You want to be with people who are down with you for who you are. Having said that, every relationship is transactional.

My first husband [Sam Braun] is my buddy, and I have a joke on stage about him. He was a lovely Jewish man, but turns out we had too much in common — we both like men. The second husband was a cheater, and while cheating is not technically a religion, he practiced it like it was. But my first husband, I adore. We spend every Sunday night together watching our favorite show, 90 Day Fiancé.

I’ve already had my babies and I’m making money. What dating app am I going on?

Have you had a Philly cheesesteak?

People have sent me to some really good places. In fact, I want to go back to a couple of them. Cheesesteaks and hoagies aren’t the only good things that Philly has to offer. I know you got water ice and everything else, but what else do I need to know? I have a list of a few places.

The last time I asked on [social media], people were being very lovely and helpful at first. But then it took a hard left turn. Someone was like, “If you don’t go to Dalessandro’s, then you’re a dick.” OK, I guess I better go. I went and it was worth the trip. You should have seen my hotel room — it was disgusting. I had half-eaten cheesesteaks and hoagies all over the place.

– The Philadelphia Inquirer

The song that has moved Philadelphians closer to the world for decades

The 6abc Action News theme is a sound that’s as Philly as it gets. Like the sizzle of a cheesesteak rib eye, cheers for an Eagles touchdown, and the quiet crumple of a soft pretzel wrapper.

Even 52 years later, the funky groove of the 1970s theme remains iconic for longtime Philly residents, who grew up watching the legendary Jim Gardner and other anchors relay the evening news into their living rooms.

Philly comedian Chip Chantry is one such viewer. While others may stand for the American flag, Chantry regards the Action News opener “Move Closer to Your World” with the same patriotism. “If you’re in my home, you better stand for the Action News theme song,” Chantry said in the viral clip from a Helium Club routine in April, which has amassed over 500,000 views since June 7.

Growing up near Norristown, Chantry said the theme brought the excitement of the city into his childhood home. “When I hear Action News, I think dinner time,” said Chantry, whose forthcoming special is called “Move Closer” in honor of the classic theme. “It’s such an iconic theme, and it’s almost like a sports theme for people who don’t like sports. This is like the Rocky theme in your house.”

The theme is reminiscent of an era where broadcast news was the next big thing in journalism, helping usher in a new crop of star news anchors and generations of local news junkies. The widely popular song has been covered extensively — from high school bands to bands like The Roots.

The idea for “Move Closer to Your World” came from former 6abc promotions manager Walter Liss, who wanted a theme similar to a popular Coca-Cola commercial that featured the jingle, “I’d Like to Teach the World to Sing (In Perfect Harmony).”

That song was recorded by the American folk group the Hillside Singers, an ensemble created by the advertising agency McCann Erickson just to sing in the Coke ad. Liss reached out to Hillside Singers producer Al Ham to create something similar for Action News. Ham wrote the music and Liss wrote the lyrics in 1970. Two years later, the song debuted on what was then called WPVI-TV and has been in rotation ever since.

“To people in Philadelphia, things that are ours matter to us. And hearing that music every day, it makes people feel like they’re home,” said Mike Monsell, 6abc’s vice president of marketing. “Nothing can encapsulate that more than [Chantry’s video]. That pretty much sums up the way people feel around here.”

In the middle of office building renovations in 2012, Monsell found original handwritten notes from Liss and Ham, and a photocopy of the theme’s sheet music inside his desk drawer. Those now hang on the TV station’s history wall.

After a decade on display, the ink on the sheet music and handwritten notes began to fade and Monsell was tasked with finding a place that could restore the artifacts.

In September 2022, he reached out to the Conservation Center for Art & Historic Artifacts, where senior paper conservator Heather Hendry and others were able to treat the sheet music and handwritten notes.

Jessica Silverman, CCAHA’s director of conservation, said the center was able to remove the tape from the documents. Conservators also used pigmented inks to mitigate the fading issues, and developed a replica of the Liss-Ham notes page for display.

While every project is rewarding, Silverman said the Action News preservation has become a “tour favorite.” “People get real jazzed up about it,” she said.

After the project wrapped in April, the revived sheet music and replicated notes page are now on display at 6abc. The original light-sensitive notes, Monsell said, are stored in a temperature-controlled storage container.

The CCAHA project signifies the theme’s importance for people of the region, but 6abc is not shying away from addressing one of the more controversial moments in the station’s history: the changing of the theme song in 1996.

Planned for a late summer release, 6abc president Bernie Prazenica said, a mini-documentary will chronicle how viewers reacted to an “orchestrated” version of the opening theme that debuted on Sept. 20, 1996.

Liss and Ham’s original was updated by the London Philharmonic Orchestra, but viewers immediately took to their phones to bash the new interpretation. The criticism forced 6abc to pull it from the airwaves and place the original song back after three days.

“I think people who view it will get a real kick out of it,” Prazenica said. “I think it’s going to be fun to look back on that, especially for those who have heard the story but haven’t heard the music. They will get a chance to sample it.”

If you ask anyone at 6abc, Monsell said, there’s no way the Action News theme will be changed in the future. The original will always remain an integral part of the city’s identity, and he and others will continue to commemorate the song’s storied legacy.

Somewhere in a living room near Norristown, Chantry and his family are cheering that. Standing up, of course.

– The Philadelphia Inquirer